Bill Bruford
May 17, 1949
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Zoro














Bill Bruford...

Bill Bruford grew up with jazz. As an amateur drummer in the 1960s, and after a handful of lessons from Lou Pocock of the Royal Philharmonic Orchestra, he began his professional career in 1968. He was a guiding light in the so-called British "Art Rock" movement, touring internationally with Yes and King Crimson from 1968-74. There then followed several years spent observing and participating in the music making processes of, among others, Gong, National Health, Genesis and U.K., until Bill felt ready to write and perform his own music with his own band Bruford, recording four albums from 1977-80.

It was, however, the reconstituted King Crimson of 1980-84 that provided the vehicle for his revolutionary use of electronics in developing the melodic side of percussion. Following an interim two year/two album stint improvising on acoustic piano and drums with Patrick Moraz, Bruford formed his electro-acoustic jazz group Earthworks in 1986, with Django Bates and Iain Ballamy, specifically to continue this work on melody from the drum set, but now in a jazz context.

Earthworks, the group's first offering in 1987, was named the "third best jazz album of the year" by America's USA Today; then came Dig? (1989), All Heaven Broke Loose (1991), and the summer 1994 Live set, Stamping Ground.

King Crimson again proved itself a veritable percussion think-tank when it launched the double-rhythm team of Bruford and Pat Mastelotto in the 1994 double-trio incarnation. Through late 1994 and 1995, the band toured the world, giving 120 concerts, and producing studio and live CDs documenting its fresh and innovative use of two drummers. 1996 saw further King Crimson concerts, and the production of a CD Rom encapsulating Bruford's approach, in a tri-format combination of audio and MIDI/digital data, entitled Packet of 3.

In between all this, Bill also found time to record and/or tour with Kazumi Watanabe, David Torn, The New Percussion Group of Amsterdam, Jamaaladeen Tacuma, Akira Inoue, Al Di Meola, Anderson Bruford Wakeman and Howe, the Buddy Rich Orchestra, Tony Levin, Pete Lockett and his old firm Yes amongst others. He continued his work as an active clinician with a series of clinics in Europe and America in 1993, culminating in his highly acclaimed appearance at the Percussive Arts Society International Convention at Columbus, Ohio in November. In 1990, the readers of Modern Drummer Magazine voted him into that magazine's Hall of Fame.

The late 90s saw Bruford underlining his commitment, and return, to jazz and 1997 saw two major releases. The Earthworks "best of" compilation, Heavenly Bodies, taken from all four albums and including previously unreleased material was released in May on Virgin Record, U.K. Then a late summer release of fresh material with jazz titans Ralph Towner (guitars and piano) and Eddie Gomez (bass) entitled If Summer had its Ghosts, appeared on King Crimson's Discipline Records in September.

Touring internationally with the second edition of Earthworks, featuring Steve Hamilton (keyboards) and Patrick Clahar (saxophones), the band's live work led to the release of a sixth C.D. "A Part and yet Apart" in 1999. Electronic percussion made way for the warmer looser style of the more conventional sax-piano-bass-drums line up, and Bruford continued to bring the best of the young British players to the attention of a rapidly growing international audience.

The new millennium saw a live album release by Bruford Levin’s Upper Extremities entitled B.L.U.E. Nights, and the augmentation of Earthworks with the celebrated jazz guitarist Larry Coryell for the 2000 summer jazz festival season. Following an extensive 22 date tour of the U.K., Earthworks recorded it’s seventh C.D. in November entitled "The Sound of Surprise". Spring 2002 saw the imaginative simultaneous release of a) a Live Double CD from London called "Footloose and Fancy Free" and b) a full-scale DVD from New York entitled "Footloose in N.Y.C", and the replacement of Clahar with the multi-talented Tim Garland fresh from Chick Corea’s recent group. The new CD was awarded the coveted "5 Stars" in Downbeat magazine.

In 2004, Bill formed Summerfold Records and Winterfold Records to cater for different aspects of his rapidly mushrooming catalogue, already containing some 35 titles. Recent collaborations have been with The World Drummers Ensemble and Earthworks Underground Orchestra. 2006 saw the release of the much talked about Rock Goes To College DVD from his old team "Bruford".

Bill has three grown children and continues to live in the Surrey Hills with Carolyn and two cats. He retired from public performance on January 1 2009 after 41 years as a musician, and published his autobiography in March 2009.

Source: billbruford.com






CD: Bill Bruford - Michiel Borstlap: In Two Minds

“The feats of coordination that they achieved, and the apparent symmetry of the instant arrangements that they hit upon, were astounding.”
- The London Times

British drummer Bill Bruford and Dutch keyboard master Michiel Borstlap are two of the leading lights in progressive improvised music. Since their first meeting at the Nijmegen Festival in Holland in 2002, the duo have recorded on both CD and DVD, and gone on to play major Festivals and concerts in Japan and Europe.




























1974










performed with:

Earthworks
YES
King Crimson
Patrick Clahar
Steve Hamilton
Mark Hodgson
Eddie Gomez
Ralph Towner
David Torn
Pavlov's Dog
UK
Allan Holdsworth
Jeff Berlin
Dave Stewart
Al DiMeola
Flash Fearless
Steve Hackett
Steve Howe
Genesis
Abolute Elsewhere
Roy Harper
Peter Lockett
Patrick Moraz
Anette Peacock
Peter & The Wolf
Mark Ramsden
Spiro Gyra
The Roches
Chris Squire
Kazumi Watanabe
Rick Wakeman
Jasmaaladeen Tacuma
John Wetton

...and many more























































Drummer Live 2006 London
© Jason Horsler





Drummer Live 2006 London
© Jason Horsler




Drummer Live 2006 London
© Jason Horsler





© Klaus Muempfer



...from Bill Bruford:

Great Bernhard
By all means. Your site looks very good.. Everything is OK. Best of luck with your excellent site, best wishes, best regards,
Bill
Bill Bruford










Bill Bruford Symmetrical Set Up

The two cymbals and two toms on the right are mirrored by two cymbals and two toms on the left, around a pivotal central hi-hat.

The drums are arranged flat on the same plane. Personally I find moving the left stick a few inches to the left (to reach the high tom) easier than moving it up and forward, as on a "traditional" kit.

The drums are also arranged in a "broken" pitch order to avoid the common descending roll of drums from highly to low.

(Bill in MD 09.2000)

Drums: Tama
Starclassic Maple
A
B
C
D
E
F

Cymbals: Paiste
1 16" Signature Mellow Crash
2 20" Traditionals Light Ride
3 14" Traditional Medium Light Hi-Hats
4 20" Traditionals Medium Ride
5 20" Signature Dry Ride


Heads:
Evans

Sticks
Pro-Mark Bill Bruford


© Modern Drummer

























Drums & Percussion - Germany - July 2007