Aeolian
Platinum Member
A common production trick before computers and drum machines was to splice a loop of tape a couple of bars long and just let it run in a machine so there was a steady time track. Then fills could be punched or spliced in, or often just recorded along with the steady beat.
Guitar one string at a time is not that far off from what Tom Sholtz did. Playing a complete chord though distortion sounds muddy so he stacked up one note at a time to get that sound.
Many old soul songs had multiple guitarists on them, each playing one or two notes out of a chord. If you arrange the intervals right, the result is really big and airy sounding. Even more fun to do it on stage, sounds like you're inside a giant harp.
The great things about playing both instruments are both being able to communicate in the others language and being able to understand the players vocabulary and what they're likely to do in a given situation.
Guitar one string at a time is not that far off from what Tom Sholtz did. Playing a complete chord though distortion sounds muddy so he stacked up one note at a time to get that sound.
Many old soul songs had multiple guitarists on them, each playing one or two notes out of a chord. If you arrange the intervals right, the result is really big and airy sounding. Even more fun to do it on stage, sounds like you're inside a giant harp.
The great things about playing both instruments are both being able to communicate in the others language and being able to understand the players vocabulary and what they're likely to do in a given situation.