I'd say so.I've heard of Slingerlands being too quiet more often than Ludwigs. Could be the bearing edge
I'm not saying poplar is bad - I'm saying maybe Slingerland used poplar of a lesser grade or something than LudwigPoplar is not an inferior wood. I don't know where you got that information. Poplar has been used on drum shells for years.
99% of kits purchased are purchased to play, not sit in a showroom to be admired. And most drummers want reliable hardware. A lot of those drummers play gigs. Very few of them want something like a vintage Slingerland kit because they're just not as reliable if you're moving them around gig to gig. Easier just to buy a new Ludwig Gretsch Tama DW PDP etc.
Rogers is in about the same boat because of hardware. That cool script logo badge probably sells a few more kits at a bit higher price than Slingerland, even with Rogers exploding b&b lugs lol.
For a kit that stayed at home and used just to play at home and practice, or even in a studio, Slingerland is a good choice. I would not go and modify Slingerland drums to make them more gigable. That would ruin the value. Better just to buy a more modern kit at outset that ruin a vintage kit.
Basement beauties they probably keep original. If they get a kit on the cheap and it's a beater/ player kit then what the heck mod it and gig it.I have a vintage Slingerland kit but use modern hardware. The kit has been bashed about a bit over the years but looks and sounds amazing.
I'm guessing not too many people use vintage hardware with their older kits?
My first proper kit was a new Slingerland my parents got me back in 1978 - but I think drummers were of a different mentality back then because when things broke, you fixed it. And I remember it wasn’t a big stigma when I replaced the Slingerland spurs with the then-new 1/2” Ludwig Curved spurs - it made the kit cooler because of the additional stability. The next thing to go was the double tom mount which I replaced with the then-new Yamaha double tom mount. Floor tom leg brackets were eventually replaced with Pearl stuff that fit the holes. These were the only upgrades I did to mine and when it came time to sell, the new buyer understood the upgrades.99% of kits purchased are purchased to play, not sit in a showroom to be admired. And most drummers want reliable hardware. A lot of those drummers play gigs. Very few of them want something like a vintage Slingerland kit because they're just not as reliable if you're moving them around gig to gig. Easier just to buy a new Ludwig Gretsch Tama DW PDP etc.
Rogers is in about the same boat because of hardware. That cool script logo badge probably sells a few more kits at a bit higher price than Slingerland, even with Rogers exploding b&b lugs lol.
For a kit that stayed at home and used just to play at home and practice, or even in a studio, Slingerland is a good choice. I would not go and modify Slingerland drums to make them more gigable. That would ruin the value. Better just to buy a more modern kit at outset that ruin a vintage kit.
Very cool!I gig with my original 63' Slingerland drums all the time. My Dad brought me the brand new drum set in 63'. In 2002 the wrap was faded and yellowed, the hardware was worn out. So I stripped the wrap off and stained and painted the raw wood. I installed new bass drum legs and I use a stand for the tom. Then I purchased a 22 inch bass drum and a 16 inch floor tom. I love my Slingerlands!!!
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My first proper kit was a new Slingerland my parents got me back in 1978 - but I think drummers were of a different mentality back then because when things broke, you fixed it. And I remember it wasn’t a big stigma when I replaced the Slingerland spurs with the then-new 1/2” Ludwig Curved spurs - it made the kit cooler because of the additional stability. The next thing to go was the double tom mount which I replaced with the then-new Yamaha double tom mount. Floor tom leg brackets were eventually replaced with Pearl stuff that fit the holes. These were the only upgrades I did to mine and when it came time to sell, the new buyer understood the upgrades.
It is weird how now people won’t mix hardware and try to keep the kit original (like you were saving it for a museum or for re-sale). Back then nobody cared, I certainly didn’t and don’t care now. My 1978 Rogers has DW spurs and the Yamaha tom mount today. The sound is what’s important.
I suppose people are always looking for “stock original factory” drums (probably why the custom market is so small with no re-sale value) - and I would too. But that period from the 60s to the early 2000s, I don’t think anybody made drums where they liked everything. Nowadays it looks like manufacturers can comprehensively outfit their drums, but even Neil Peart and Ringo used Rogers tom mounts on their drum kits. I don’t think Neil left other brands behind until he got with DW.People do that sorta thing to their 2023 kits they mod them change them etc.etc. Today's 2023 kit is yesterday's 1963 kit. 50 years from now buyers will be looking for untouched original 2023 drums lol
This is my “stock original factory” 1979 Slingerland Country Road set. It's a monster. 13,14,15,16 inch mounted concert toms, 18" floor tom with 4 legs, 24" bass with 4 spurs. 14x6.5 cob snare w/ TDR throw-off. Two counter-weighted boom cymbal stands, pac-all throne. I think they were thinking of Artimus Pyle when they made it, as he was playing big Slingerlands without bottom heads at the time. I love it. Too big to drag around to gigs, but the snare is my favorite and always comes with.View attachment 146351View attachment 146352View attachment 146353View attachment 146354View attachment 146355