Decent "for the price" is a common phrase around here. The problem is that it discredits gear from the outset, suggesting that a drum, cymbal, or piece of hardware is fundamentally inadequate but that its shortcomings are tolerable in light of its affordability. When a conversation begins in that fashion, the analysis that follows is somewhat tainted.
You either like a cymbal or you don't. Based upon the PST7 selections I've heard, they sound like good cymbals to me. Their price doesn't inform my assessment; my ears do. Whether a PST7 crash costs $100 or $400, it will still sound like a PST7 crash. If you like it, buy it. If you don't, get something else. Regardless, be guided by what you hear, not by a logo or a barcode. Marketing can be deceiving. Paying more is no guarantee of greater satisfaction, unless you value status above all else.