You called it in your first post. You know the crowd
I do.You called it in your first post. You know the crowd
What are you still doing playing music?Hey man, I just sold my first SVT, which is actually one of the very first ever made in 1969 and used to belong to Doug Ingle, the original keyboardist/singer of Iron Butterfly who wrote In-A-Gadda-Da-Vida. I also sold my Heritage SVT rig to Mark Damon of The Pretty Reckless (name dropper). I didn't do all that to transfer that massive schlep from bass to drums!
It's made me a decent middle class living over the yearsWhat are you still doing playing music?
Just think how far ahead you’d be if you had done something else!It's made me a decent middle class living over the years
I think about it every day. Trust me. But I've seen a lot of people in sure-fire careers struggle and end up broke, so to think I pulled it off in something as arbitrary as music for so long is a semi-accomplishment.Just think how far ahead you’d be if you had done something else!
Never had any big issues with it, as long as they are not miles apart (soundwise), a slight bit of difference might only make it a bit more interesting. I tune mine really low, barely above wrinkles (other drummers using my kit usually hates that, if they are using triggers and want that ultra speed feel with barely not touching the skins...). I'm not about that, I pound on those bassdrums...
As long as everything is the same, and you tune them together (same time) it's easy. By together I mean batter/batter, reso/reso. Tuning one drum completely, then trying to match the other to it is much more difficult.
