TK-421
Senior Member
It’s all about the column of air generated by the beater striking the batter head, and how that air column interacts with the reso head. Put a big hole smack dab in the middle of the reso, and most of the air column will escape without exciting the resonant head. But if you offset the port, then that air column interacts way more with the reso, getting that head to vibrate and add more—wait for it—resonance.
It also affects the feel of the beater striking the head. Because the more air that’s retained inside the drum (due to a smaller port, an offset port or no port at all), the more air pressure there is to push back on the batter head. So smaller and/or offset ports offer more rebound, while larger or more centered ports offer less rebound.
That’s the physics behind it, and just like everything else in life, it all comes down to personal preference.
For the majority of my drumming life, I played with a solid reso. And that entire time, I played heel down. Then about 10 or so years ago, I finally decided to add an offset port. As a result of the diminished rebound, that transformed my bass drum playing to where I now play primarily heel up—which gives me more power. But with a solid reso, I felt like I had to play heel down. Because with all that rebound, only heel down playing gave me enough control to keep my beater from “dribbling” against the head.
It also affects the feel of the beater striking the head. Because the more air that’s retained inside the drum (due to a smaller port, an offset port or no port at all), the more air pressure there is to push back on the batter head. So smaller and/or offset ports offer more rebound, while larger or more centered ports offer less rebound.
That’s the physics behind it, and just like everything else in life, it all comes down to personal preference.
For the majority of my drumming life, I played with a solid reso. And that entire time, I played heel down. Then about 10 or so years ago, I finally decided to add an offset port. As a result of the diminished rebound, that transformed my bass drum playing to where I now play primarily heel up—which gives me more power. But with a solid reso, I felt like I had to play heel down. Because with all that rebound, only heel down playing gave me enough control to keep my beater from “dribbling” against the head.
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