jda
Diamond Member
No. if it was anything it was rr L or rl R even lrIs that not the discussion?
No crushin'
![Beaming face with smiling eyes :grin: 😁](https://cdn.jsdelivr.net/joypixels/assets/7.0/png/unicode/64/1f601.png)
No. if it was anything it was rr L or rl R even lrIs that not the discussion?
No. if it was anything it was rr L or rl R even lr
No crushin'![]()
I'm still a bit hung up on it and cannot accept that a Ruff and a Drag are the same thing.The whole 3 Stroke Ruff thing has certainly clarified something for me. (Love the idea of 3 singles played so fast they make 1 sound)Just out of curiosity, what is the question that still lacks an answer, or is still open for debate? I'm not trying to be sarcastic. I literally don't know.
The thread started because somebody asked what a "ruff" is. Between the original NARD list of 13 rudiments, and the various books that have been cited by Todd and others, it seems that the "what is a ruff" question was answered many posts ago.
Unless I somehow inferred the wrong conclusion from this thread so far, it seems that "ruff" is another word for "drag." It can be played "open" or "closed."
It also seems that a tiny minority of teachers and books over the years have used the term "3 stroke ruff" to refer to 3 single strokes, with an accent on the 3rd one...sorta like a truncated version of the 4 stroke ruff.
Is this a pretty good summary of the main takeaways?
No, Todd is saying that it’s buzzed.
Speaking of John Wooton, for those who want even more discussion of this topic, here's what he says about the whole ruff/drag thing in his 2010 book, Dr. Throwdown's Rudimental Remedies:I'm still a bit hung up on it and cannot accept that a Ruff and a Drag are the same thing.The whole 3 Stroke Ruff thing has certainly clarified something for me. (Love the idea of 3 singles played so fast they make 1 sound)
I tried reconnecting with a pro orchestral percussionist who I lost touch with 5 years ago. But have not heard back yet
I watched the Dan Wooton Vic firth material and he talks about how a drummers approach to the ruff is an element of their sound which I'm begining to see and understand why rudimental teaching dogma can can limit a kit players development
Thinking back, I have been playing crushed Ruffs for time before I had been introduced to the Ruff or the Double Stroke Roll and guess that's part of my sound
I'm happy to I have unearthed a hot potato so please: fight amongst yourselves whilst I keep digging deeper
Speaking of John Wooton, for those who want even more discussion of this topic, here's what he says about the whole ruff/drag thing in his 2010 book, Dr. Throwdown's Rudimental Remedies:
Really, from Eugene? He seems to have a southern accent, so I assumed he grew up in the south, but maybe it's just that he's been there a long time.Interesting that he was from Eugene originally. He'd be between my brother's and my generations, I'll ask him if he knew him.
Here's his VF video on this:
I'd like to see that facebook conversation-- Wooten and a couple of the people there are Phantom Regiment guys. That's a different school of corps drumming from what I was raised in. I wouldn't want to play like every single guy he mentions there:
I'm still a bit hung up on it and cannot accept that a Ruff and a Drag are the same thing.
a Ruff is just a one single punch to the head
a Ruff is when it's followed by one note, all alone
(it being the two little notes) all alone as a solitary figure if you will..
it's a Drag when it's followed or preceded or among more than one; many notes.
No.8 Ruff
View attachment 143908
becomes when surrounded a
no.9 Single Drag
View attachment 143909
Drag implies you're taking something (other notes) "along with it"
Like "I had to drag Jimmy out of his bed this morning"
No.10 Double Drag
View attachment 143910
a Ruff is just a one single punch to the head
OK now guys, if you compare the rrL & llR sticking to the five-stroke roll, it would be more logical to call it the three-stroke roll.
So now let's vote for this![]()
I'm pretty sure you're yanking our collective chains! LolOK now guys, if you compare the rrL & llR sticking to the five-stroke roll, it would be more logical to call it the three-stroke roll.
So now let's vote for this![]()
'beautifully put"- the two ghost notes were an embellishment and had no assigned value.
and we aren't even neighbors<two grace notes> in a ruff drag-half ruff <technically> take up < no space>