Mad About Drums
Pollyanna's Agent
NOTE to Bermuda, Bernard, and Arky :
I vote we change Larrys status from Platinum Member to Uncle Larry
lets make it happen
Agreed
You've got my vote...
...anyone else?
Please vote... so it can happen
NOTE to Bermuda, Bernard, and Arky :
I vote we change Larrys status from Platinum Member to Uncle Larry
lets make it happen
Gets my vote too -------------NOTE to Bermuda, Bernard, and Arky :
I vote we change Larrys status from Platinum Member to Uncle Larry
lets make it happen
Anduin, thank you for your yeoman-like effort toward keeping things real around here.
J, what I'm talking about is really damn basic; there's nothing radical, unreal, or arty-farty about it. I don't know why you guys are so resistant to calling it what it is, particularly when you have nothing to offer in the way of better terminology. Somebody give me a better word for talking about melodic contour in drumming, and I'll use it.
Look, I don't know, Todd. I've said all I have to say: physics, psycho acoustics and music theory are what they are.
I suspect that if we asked a group of non-drummer musicians what “melody” means, a total of zero would mention anything other than clearly-defined pitches.
keep the votes coming !!!
Sorry, man, but you can't just say “it's science, I win.” You need to actually state the argument.
Honestly, right now I'm having one of those moments when I think there's something wrong with me, because I keep getting involved in these contentious discussions defending things that are, hey waitaminit, absolutely uncontroversial, and totally embraced by every good player I have ever known.
Anon's back! Yay! I was worried because I didn't know you went on holiday. Henri clued me in though, I should have known to check with him before. I missed you! I'll tell you, this thread could very well be the biggest lesson I got here to date. It was a very eye opening experience for me. Plus I just may get a title out of the deal!
I spend a lot of time just attempting to get what I hear in my head out on the drumset, with minimal losses. So instead of thinking purely in rhythmic terms, I tried to adjust my perception to picking out my "melodies" that I never was aware of. I suppose that because I was consciously utilizing the different pitches of my things in the past, I realized that in fact I was playing very simple "melodies". The big difference to me between my personal drum "melodies" and a melody that comes from a "real" melodic instrument is...
Drum "melodies"...at least the ones I feel comfortable playing...are very rhythmic melodies by nature, with short and percussive notes. Like I don't build in notes into my solos that are long and drawn out like the kind you would hear from a sustaining guitar, (save for crashes and rolls) it would leave too many holes. So my "melodies" tend to be of very short attack and rhythmically denser than a melody I would play on a guitar, as opposed to long held out sustained notes. Which translates into more notes basically. When the notes die off right away, so as not to leave big gaps in my solos, the spaces must be filled with something, that's why I have relied on the percussive/rhythmic elements to compensate for lack of rich tone, lack of chords, and long sustain.