It was nice ... Started off a little stiff, but, overall, Son of Vistalite Black gives it 7/10.
The "Garage Days" EP is what got SoVB interested in Metallica ... opening up an unexpected lesson in heavy metal history that's still very much appreciated.
Here's Metal Hammer's abbreviated list of their top covers by Metallica ... the full listing is 40 songs. As a huge Thin Lizzy fan, it's hard to agree with 5 (and 1), but the fact that it helped younger fans discover Ireland's Greatest Rock Band is appreciated.
11. Astronomy (Blue Öyster Cult cover; Garage Inc., 1998)
Metallica turned this ’70s classic into a slower and spacier cut, but also intensified its proto-metal stomp. Those chanting
“Hey! Hey, hey!”’s are even harder to ignore when James Hetfield’s barking them, and the guitar leads fit Kirk Hammett’s style seamlessly.
10. Remember Tomorrow (Iron Maiden cover; Maiden Heaven – A Tribute To Iron Maiden, 2008)
Every Metallica member shines on this Iron Maiden cover, from James Hetfield’s solemn vocals to
Lars Ulrich’s tasteful drumming. Those twin-guitar harmonies and sturdy metal refrains also offered prime chances for the band to flaunt their greatest strengths. They capitalised fully.
9. Ronnie Rising medley (Rainbow cover; Ronnie James Dio – This Is Your Life, 2014)
Unlike Metallica’s Mercyful Fate medley, this mashup of Rainbow anthems doesn’t overstay its welcome. Maybe it’s the excitement of hearing the metal stars tackle
Stargazer or the faithfulness of their performance, but this four-song
Ronnie James Dio tribute remains compelling throughout.
8. The Small Hours (Holocaust cover; The $5.98 E.P. – Garage Days Re-Revisited, 1987)
This stab at Scotland’s NWOBHM underdogs, Holocaust, pushed Metallica to new territory: it sounds legitimately scary. The jangling guitars and creeping pace are surprisingly disquieting, before Papa Het declares,
“I am the chill that’s in the air.”
7. Last Caress/Green Hell (Misfits cover; The $5.98 E.P. – Garage Days Re-Revisited, 1987)
Last Caress earned its place as a classic cover the second it got Metallica banned from MTV. On its own merits, though, it and
Green Hell still form a catchy yet riotous anthem, perfectly fitting the muscularity of James Hetfield’s vocals.
6. Overkill (Motörhead cover; Hero Of The Day b-side, 1996)
Overkill is a bona fide heavy metal classic no matter who’s playing it. Metallica didn’t reinvent the Motörhead hit with their in-the-rehearsal-room cover, but its sheer, unapologetic attitude still bursts from their amplifiers all the same. Pure, insubordinate thunder!
5. Whiskey In The Jar (traditional/Thin Lizzy cover; Garage Inc., 1998)
Metallica’s
Whiskey In The Jar has far exceeded the reach of Thin Lizzy’s (just compare those streaming numbers!), and we get it. This cover’s a tight and melodic heavy metal anthem with danceable drumming and a slick-as-hell lead guitar line.
4. So What! (Anti-Nowhere League cover; Sad But True b-side, 1993)
There’s something so fitting about a voice as harsh as James Hetfield’s singing about the most evil things a person can do. Thanks to some, let’s say, “controversial” performances over the years,
So What! is entrenched forever in Metallica’s legacy.
3. Die, Die My Darling (Misfits cover; Garage Inc., 1998)
Die, Die My Darling contains the best bits of both Metallica and
Misfits. The original’s infectious punk bent not only remains – it gets amplified by James Hetfield’s attention-demanding snarls and Lars Ulrich’s impactful drumming. One of the band’s finest reinterpretations.
2. Am I Evil? (Diamond Head cover; Creeping Death b-side, 1984)
Metallica have carried
Am I Evil? with them for longer than most of their originals. Since appearing on the
Creeping Death single, it’s become a live mainstay and fan favourite. The fact the royalties have basically sustained Diamond Head’s career only makes it better.
1. Turn The Page (Bob Seger cover; Garage Inc., 1998)
It’s testament to the might of Metallica that they can improve a classic song by one of America’s great songwriters. The Four Horsemen’s
Turn The Page is just as dusty and emotional as
Bob Seger’s, except with an added rock ’n’ roll urgency. Perfect, transformative and powerful.