I'm a relatively new drummer, and I just recently started working through Stick Control in a serious manner. My goal, for now, is to learn each of the exercises on the first page, in the following permutations:
A) Bass drum and hi-hat simultaneously on each beat.
B) Bass drum only on each beat.
C) Hi-hat only on each beat.
D) Bass drum on 1 & 3, hi-hat on 2 & 4.
E) Same as D, but play R on floor tom and L on snare.
F) Same as D, but play R on floor tom and L on rack rom.
G) Same as D, but play R on floor tom and and alternate L between snare and rack tom.
H) Same as D, but play L on snare and alternate R between floor tom and rack tom.
I) Same as D, but play L on rack tom and alternate R between floor tom and snare.
I plan on sticking to one rudiment and not moving on until I can do it in each of those permutations at 80 bpm. I practice this specifically for at least 30 minutes a day, with a metronome click.
The problem is that trying to achieve even dynamics on each stroke is driving me insane. I can't even get past the first permutation of exercise 1, because I can't stop accenting the first stroke of each beat. When I stop accenting that note, I invariably lose time with the metronome.
Any recommendations?
PS - I'd like to take a moment to thank the DrummerWorld community. I don't have access to a personal drum instructor, and without you guys answering these sorts of questions for me I'd be completely lost. This forum is a godsend!
Edit: I wrote all this out and forgot to ask the question I originally intended to ask - How important is it for students to learn to perform all of their rudiments with absolutely even dynamics when they're first starting out? How even is "even"? I have an obsessive personality, and I'm wondering if I'm picking apart absurdly tiny variations in my dynamic levels with each stroke. Is it acceptable to be just a wee bit heavy on the first stroke in the beat? Or should I be shooting for 100% identical volume with each stroke in the exercise?
Ugh. I'm over-thinking this.
A) Bass drum and hi-hat simultaneously on each beat.
B) Bass drum only on each beat.
C) Hi-hat only on each beat.
D) Bass drum on 1 & 3, hi-hat on 2 & 4.
E) Same as D, but play R on floor tom and L on snare.
F) Same as D, but play R on floor tom and L on rack rom.
G) Same as D, but play R on floor tom and and alternate L between snare and rack tom.
H) Same as D, but play L on snare and alternate R between floor tom and rack tom.
I) Same as D, but play L on rack tom and alternate R between floor tom and snare.
I plan on sticking to one rudiment and not moving on until I can do it in each of those permutations at 80 bpm. I practice this specifically for at least 30 minutes a day, with a metronome click.
The problem is that trying to achieve even dynamics on each stroke is driving me insane. I can't even get past the first permutation of exercise 1, because I can't stop accenting the first stroke of each beat. When I stop accenting that note, I invariably lose time with the metronome.
Any recommendations?
PS - I'd like to take a moment to thank the DrummerWorld community. I don't have access to a personal drum instructor, and without you guys answering these sorts of questions for me I'd be completely lost. This forum is a godsend!
Edit: I wrote all this out and forgot to ask the question I originally intended to ask - How important is it for students to learn to perform all of their rudiments with absolutely even dynamics when they're first starting out? How even is "even"? I have an obsessive personality, and I'm wondering if I'm picking apart absurdly tiny variations in my dynamic levels with each stroke. Is it acceptable to be just a wee bit heavy on the first stroke in the beat? Or should I be shooting for 100% identical volume with each stroke in the exercise?
Ugh. I'm over-thinking this.