I always get excited when you start a thread, Andrew, because I know I'm gonna love it.
I studied with a drummer who studied with Art. My teacher traveled to NYC as a young man and made it his mission to meet Art and get some mentoring from one of his idols. He hung out in front of Art's home, begging him to teach him something. One day, Art invited him in and my teacher got his wish. As it turned out, my teacher wound up staying at Art's place for a week and learned not only a lot about music, but about life.
The funny thing about ride cymbal playing is there are different ways to get there. I remember my teacher talking about accenting 2 and 4, but then I recall reading a piece by Chuck Israels, written from a bassist's perspective, where he talked about the importance of accenting the quarter note pulse. Of course, if you listen to Elvin and Max, you can't get much more different, right? There are different paths and more than one way to swing.
I guess Philly Joe was the first cat whose ride cymbal sound I tried to cop. I loved Miles' Prestige dates so much, and that rhythm section always felt so good. But I loved how Max did it, especially at those breakneck tempos. I had never heard anything like that before him, so that was another huge influence. Elvin really turned my head around, especially the way he seemed to be locked almost in a battle with that cymbal, like a swashbuckler in a swordfight. Elvin's feel was way different and made a really deep impression on me.
Then, I heard Tony on the '64 My Funny Valentine + Four and More record. That completely f****d me up. I was never the same. I started checking out his other stuff with Miles and those Blue Notes from the 1963-1965 period. Tony's articulation and dexterity, just the groove and the sound he got from that cymbal, ruined me for life. The way he'd lay into the cymbal and then drive the band with accents, like a horse bucking its rider off the saddle. Man...
There are so many greats. Roy's sound, Jack's sound. The ride sound is the drummer's most identifiable stamp. That's what his sound is all about.