Andy
Honorary Member
Ok, I've been banging on about this for some time, so I owe it to everyone to put some meat on the bones. I've designed a totally new concept in drum construction. I've come up with the design principal, produced drawings, etc & partnered with the very talented Dean Price of Guru Drumworks who's constructing the beast. I'll start by saying that, if all works out as planned, we intend to patent certain aspects of the design. That equates to frustration all round regarding giving you the full details. As most of you probably know, releasing detail of the unique features precludes patent listing, so this thread will be very general in nature for a while to come, sorry. Our decision to patent or not is based on one simple criteria, if we create a kit that sounds as good as the very best out there, we will have failed. It needs to be something very special to warrant the huge deviation from conventional design.
So, here goes on as much detail as I dare release for now:
The shells, hoops, & other key components are constructed from 200 year old mahogany.
Shell construction is stave. Tom shells are only 3mm thick (less than 1/8"), bass drum shell is 5mm thick (just over 3/16ths). Free floating & completely unstressed.
Hoops & bearing edge assemblies are segmented.
Unique "hybrid" bearing edge design.
Independent batter & reso head tuning.
Shell sizes (equivalent to standard measuring method, diameter x depth)
8" x 10"
10" x 10"
12" x 10"
14" x 16"
20" x 20"
14" x 6" snare.
Snare is conventional stave construction using tensioning lugs. Same 200 year old mahogany but 30mm thick shell, mahogany segmented hoops, triple throw symphonic strainer with chord (gut), wire, & spring snare options.
Something about the design principal & goals:
This kit is all about the sound. It's primary function is a recording kit, or live & mic'd. The construction is designed to isolate & control overtones whilst promoting maximum shell involvement. There is almost a total reliance on sympathetic resonance rather than vibration transferred by contact. This should allow me to fully exploit the depth benefits of these drums. Both the isolation systems and unique hybrid bearing edges are designed to offer maximum sustain, with the exception of the bass drum reso head & the snare.
I'll be back to this thread with updates as we progress. Once the kit is finally together, & assuming it's all worked out as planned, I'll be back on with sound clips & other stuff. Sorry it's taken so long to get to the construction stage, but just about every component of this kit has required bespoke tooling to be laid down, & that takes time. Thanks for your patience.
One last note, the very special bearing edge concept will not be the subject of a patent. Although it easily fulfills the criteria for patenting in it's own right, if it really does work, I'm keen to throw the design into the public domain so that anyone who wants to use it is free to do so.
The first picture shows the stave shells & all segmented pieces in their raw state.
The second picture shows the hoop & bearing edge blanks for the suspended floor tom.
So, here goes on as much detail as I dare release for now:
The shells, hoops, & other key components are constructed from 200 year old mahogany.
Shell construction is stave. Tom shells are only 3mm thick (less than 1/8"), bass drum shell is 5mm thick (just over 3/16ths). Free floating & completely unstressed.
Hoops & bearing edge assemblies are segmented.
Unique "hybrid" bearing edge design.
Independent batter & reso head tuning.
Shell sizes (equivalent to standard measuring method, diameter x depth)
8" x 10"
10" x 10"
12" x 10"
14" x 16"
20" x 20"
14" x 6" snare.
Snare is conventional stave construction using tensioning lugs. Same 200 year old mahogany but 30mm thick shell, mahogany segmented hoops, triple throw symphonic strainer with chord (gut), wire, & spring snare options.
Something about the design principal & goals:
This kit is all about the sound. It's primary function is a recording kit, or live & mic'd. The construction is designed to isolate & control overtones whilst promoting maximum shell involvement. There is almost a total reliance on sympathetic resonance rather than vibration transferred by contact. This should allow me to fully exploit the depth benefits of these drums. Both the isolation systems and unique hybrid bearing edges are designed to offer maximum sustain, with the exception of the bass drum reso head & the snare.
I'll be back to this thread with updates as we progress. Once the kit is finally together, & assuming it's all worked out as planned, I'll be back on with sound clips & other stuff. Sorry it's taken so long to get to the construction stage, but just about every component of this kit has required bespoke tooling to be laid down, & that takes time. Thanks for your patience.
One last note, the very special bearing edge concept will not be the subject of a patent. Although it easily fulfills the criteria for patenting in it's own right, if it really does work, I'm keen to throw the design into the public domain so that anyone who wants to use it is free to do so.
The first picture shows the stave shells & all segmented pieces in their raw state.
The second picture shows the hoop & bearing edge blanks for the suspended floor tom.
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