US$239 for an SM57? My goodness! In that case, consider the classic 4-mic drum setup:
1) One dynamic mic for the snare
2) One dynamic mic for the bass drum
3) Two condenser mics for overheads.
The two dynamics should be SM57's. Again, don't get anything less. Its the cheapest Shure SM series mic, and the cheapest dynamic mic worth considering for serious work. It will work for bass drums, punchy although a bit lacking in low end. But it's nothing that mic placement and a little EQ can't help.
If you can't afford the nt5's or c1000's, the cheapest condenser mic with a generally good reputation is an Audio-Technica AT2020. It should be about the same price as an SM57. It's better known as a vocal/announcer mic because of its warm sound. Technically, it is a compromise between a classic large and small diaphragm condenser mic. While it lacks the sheen of a true small diaphragm condenser and doesn't have a -20db pad, it is nevertheless transparent and smooth in its frequency range. I have used it as an ambient mic for drums and guitar amps with great results, so I imagine it would do equally well for drum overheads. Your band's vocalist will love it too.
I'm guessing these four mics will fill up your US$1k budget in Norway prices.
I will caution you however that this 4-mic setup might force you to modify your playing. Only the bass drum and snare (and the leakage of the hi-hat into your snare mic) can be controlled in mixing. Everything else will be going into your overheads. You will have to find a way of balancing your toms and cymbals in actual playing because it will be difficult to do so in mixing. So do at least a couple of days of test recording to get your playing right, and to find the sweet spot for the overheads so that they get a balance of ambience and detail. Back in the mid-80s, I did a TV theme music project at home with a three-mic setup (bass, snare, and one overhead). Once I balanced my playing and found the sweet spot for the overheads, I didn't have to use too much EQ or reverb. I didn't even need that much of the snare mic in the mix, since all it needed was a little detail to add to the overheads.
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