Advice on becoming a teacher

Diet Kirk

Silver Member
Hi all,

I've been lurking and reading here for some time, but this is my first post.

A couple of years ago i accepted that the band I was in were not going to earn our living playing music. At 33 now I had my shot, didn't happen. In the meantime I'm teaching myself guitar, attempting to write music and program drums for fun in my spare time.

I'm starting to think more and more though that I want to be involved in music somehow. I got to thinking that I want to help young musicians to benefit from all of the lessons I've learned along the way and as a pretty decent drummer I think I have something I can bring to the table.

I don't think i intend to try and make my living playing music anymore, so that is not the goal, I really just want to help inspire future generations of drummers, have some fun and makre a little extra pocket money for myself.

So this is directed to all you teachers really. I need your advice. I currently have a fairly low level of reading ability, but programming drums is improving this and as I see reading as vitally important to instill in young drummers, this is obviously an area I need to improve.

My questions to you guys:

1. Should I enrol in drum lessons myself for a couple of years, both to expand my knowledge and learn how to teach drums?

2. Are there are good resources out there to learn the kind of things I may need to know. How to structure lessons etc.

3. I'm aiming to teach beginners, should I specialise in a musical style, or be open minded to anything?

4. It has often been suggested to me over the years to try peripatetic teaching, which as I understand it is effectively teaching someone how to play like you do. Is this common? wise?

5. Should I even try to teach?
 
To get an honest answer, which on a world wide drum forum may be diverse and indecisive, additional info may help. Where are you located? Are you near a busy city centre where many established teachers already exist, or are you in a more off the grid location? supply and demand. If you feel you have something to offer there is nothing stopping you from putting your name out there and trying it out. I was put into a high profile teaching gig at 20 years old, way before I was ready or capable. but I had the drive and my teacher who was retiring basically planted me in his seat. I ended up teaching for a few years at 3 locations and had as many as 45 students at one time. I was able to learn as I taught and stayed ahead of my students learning curve and I found the experience very rewarding. Could they have found a better more experienced teacher? Of course, but my people skills were good and I did a great job helping a lot of young drummers. Now 30 years later I could re-enter this field and would have no problem, but I did found that 80% of the students were just looking for a friendship and practicing was minimal, or the parents were needing a babysitter.
 
1. Yes, you should take lessons from more than one teacher, and be a very serious student for a couple of years at least. It's not ethical to take people's money to teach them music without actually being competent. Most professional teachers have a lot of time and money invested their education, and you should, too.

2. A lot of people have education degrees, but usually you learn how to teach from the student's perspective in school, in lessons. And also on the job, teaching, and in the field, playing music.

3. You should focus on fundamentals-- reading, snare drum, rudiments, basic drumset.

4. I don't know what that is, and am not learning much from a quick google search. You should have training in it, at least some lessons from someone who teaches that way, to attempt it.

5. Sure, just make sure you know what you're doing first. Why should anyone pay you to teach them if you haven't made the effort to learn to do something as basic as learning read music fluently? You need to spend some time rounding out your skills and knowledge.
 
Todd has some excellent advice, as always!

I don't think you gave us much information about your background. A few questions:

  • Do you read music - rhythmic and/or melodic notation?

  • How did you lean to play? Was it from private lessons, school band, etc.? Did you have a mentor - someone whose teaching style you would like to emulate as you develop your own style?

  • You mention that you want to teach beginners. Many beginners will be enrolling in school band. Are you familiar with the requirements of the schools in your area - see this post.

Jeff
 
I have a feeling that what I'm about to say is going to come over as horribly negative and perhaps even unkind. Obviously, I take responsibility for what I say and how I say it, but the last thing I want is to be hurtful.

My first impression was that your post was a classic "Those who cannot, teach". I know that isn't what you said, and I've gone back and re-read what you did say, but I'm still left with the feeling that you wouldn't be considering teaching if your career as a drummer had taken off.

Teaching is effectively a vocation. It needs to be: uniongoon makes some excellent points about the various types of student you will typically get, and what they need you to be for them. If you want to do your bit to help dozens of people become drummers, you may find yourself disappointed, I'm afraid, but the wonderful thing about being a teacher is that you are in the immensely privileged position of being able to make a difference, even if it isn't in the way you intended or envisaged, and that is just as valid as being able to turn out drummer after drummer after drummer.

I also agree that you need to be formally educated yourself in the subject/discipline you are going to teach. You have to be able to educate your students both formally and informally.

There's no harm in investigating the possibility of becoming a teacher. It isn't for everyone, and if it isn't for you, you'll find out soon enough. But if there's a chance that it might bring you its unique form of satisfaction and joy then for goodness sake, go for it.
 
I would say however that the only way to really learn how to teach is to do it. Every student learns in a different way, and will understand certain (different) things quicker than others will. After a while you'll have developed a number of teaching approaches that you can intuitively apply to students according to their individual needs. Have a go and see how you find it.
 
Thanks guys for the responses.

To get an honest answer, which on a world wide drum forum may be diverse and indecisive, additional info may help. Where are you located? Are you near a busy city centre where many established teachers already exist, or are you in a more off the grid location? supply and demand. If you feel you have something to offer there is nothing stopping you from putting your name out there and trying it out. I was put into a high profile teaching gig at 20 years old, way before I was ready or capable. but I had the drive and my teacher who was retiring basically planted me in his seat. I ended up teaching for a few years at 3 locations and had as many as 45 students at one time. I was able to learn as I taught and stayed ahead of my students learning curve and I found the experience very rewarding. Could they have found a better more experienced teacher? Of course, but my people skills were good and I did a great job helping a lot of young drummers. Now 30 years later I could re-enter this field and would have no problem, but I did found that 80% of the students were just looking for a friendship and practicing was minimal, or the parents were needing a babysitter.

I currently live in London in the UK, but I am planning on moving back North to Newcastle another UK city in the next year. This is a possible long term plan and I intend to re-connect with a number of drummers and teachers I know up there to get a feel for the market after I have moved.

What partly led me to the idea is that I've negotiated a deal with my fiance that in a couple of years when we buy a new house together, I'm being allowed to build a small sound proof 'studio' to play drums in, in the garden. Access to be able to practice anytime has long been my dream. whilst we were talking about this a mutual friend of ours, a pretty good guitarist, suggested I could teach using the space. Which led me to start thinking of it as a future possibility.

But given that this would still be a good few years away, I figure now is the time to learn and prepare and see if it is something I can do well enough to benefit some students.

1. Yes, you should take lessons from more than one teacher, and be a very serious student for a couple of years at least. It's not ethical to take people's money to teach them music without actually being competent. Most professional teachers have a lot of time and money invested their education, and you should, too.

2. A lot of people have education degrees, but usually you learn how to teach from the student's perspective in school, in lessons. And also on the job, teaching, and in the field, playing music.

3. You should focus on fundamentals-- reading, snare drum, rudiments, basic drumset.

4. I don't know what that is, and am not learning much from a quick google search. You should have training in it, at least some lessons from someone who teaches that way, to attempt it.

5. Sure, just make sure you know what you're doing first. Why should anyone pay you to teach them if you haven't made the effort to learn to do something as basic as learning read music fluently? You need to spend some time rounding out your skills and knowledge.

1. That is very sound advice, and the way you describe it is a way I hadn't fully appreciated. I need to treat this as almost going to get a degree in drumming, so that I have knowledge of the field as a whole and not just my own personal knowledge. And treat this the same way I would to go get any other job.

Although I don't see this as becomming my day job necessarily, I should still treat it with respect.

4. From what I gather in a music context it means you teach people what you know, as in you teach them the way you play and the things you do. To me it always sounded like a way to cheat. So without reading music or teaching students how to, you can still teach them something about how you play, but you arn't necessarily teaching them the way a normal teacher would. I wondered if it was a common thing people had heard of. My bands old bass player used to often consider this route, as although he was a great player, he couldn't read music anywhere near to the level he could play.

Todd has some excellent advice, as always!

I don't think you gave us much information about your background. A few questions:

  • Do you read music - rhythmic and/or melodic notation?

  • How did you lean to play? Was it from private lessons, school band, etc.? Did you have a mentor - someone whose teaching style you would like to emulate as you develop your own style?

  • You mention that you want to teach beginners. Many beginners will be enrolling in school band. Are you familiar with the requirements of the schools in your area - see this post.

Jeff

Hi Jeff,

I can read ryhmic notation, but I can't sight read. By that I mean I couldn't be passed some sheet music and just play it. I can happily sit and decifer it and learn to play it though. At the moment I'm trying to teach myself how to break down other peoples grooves and fills, by programming them into music software using BFD (a drum VST). This is really broadening my understanding of sheet music allowing me to listen to something and then chart it out. I'm also trying to teach myself melodic notation as part of learning how to write songs.

As far as how I learnt to play. I had lessons for a brief period when I was young. But they were expensive and involved 4 students in different rooms, so in an hour I would maybe get 15 mins of teaching. The fact I could play more then than I could read frustrated me and I ended up ditching the lessons. But I have long harboured a feeling I'd like to go back and find a better teacher and learn from the ground up again. I believe that if I do that, add in some of my creativity and flair for the instrument, I could potentially have something of value to pass on to students. So by and large I taught myself, not to mention learning a lot from a number of talented people in bands I've been in.

I also feel that I have a deep rooted love for the instrument that I often saw was lacking in other drummers. I often saw at gigs all the guitarists from the bands on the line up huddled talking about pedals and strings and whatnot, but I found very few drummers who wanted to have the same discussions with me about drums!

Being in the UK, sadly we don't have the same musical traditions as the US. So school bands are not much of a thing here. The only place you can learn marching band drumming in the UK is as part of the CLB, Church Lads Brigade, if indeed they still exist!

I have a feeling that what I'm about to say is going to come over as horribly negative and perhaps even unkind. Obviously, I take responsibility for what I say and how I say it, but the last thing I want is to be hurtful.

My first impression was that your post was a classic "Those who cannot, teach". I know that isn't what you said, and I've gone back and re-read what you did say, but I'm still left with the feeling that you wouldn't be considering teaching if your career as a drummer had taken off.

Teaching is effectively a vocation. It needs to be: uniongoon makes some excellent points about the various types of student you will typically get, and what they need you to be for them. If you want to do your bit to help dozens of people become drummers, you may find yourself disappointed, I'm afraid, but the wonderful thing about being a teacher is that you are in the immensely privileged position of being able to make a difference, even if it isn't in the way you intended or envisaged, and that is just as valid as being able to turn out drummer after drummer after drummer.

I also agree that you need to be formally educated yourself in the subject/discipline you are going to teach. You have to be able to educate your students both formally and informally.

There's no harm in investigating the possibility of becoming a teacher. It isn't for everyone, and if it isn't for you, you'll find out soon enough. But if there's a chance that it might bring you its unique form of satisfaction and joy then for goodness sake, go for it.

Magenta, you are completely correct, had I made a living playing, I may not have considered teaching and I don't mind admitting that.

However, my fiance is a primary school teacher, so I definately don't subscribe to the old "those who can't teach" thing. I sat and had a long hard look at my, I suppose you could call career a few weeks ago. When I thought back, I realised that it wasn't until I got to university that I realised I was quite good at the drums, could join a band and that bands who were not famous played gigs! Now I know the internet has changed the landscape somewhat these days, but there are a lot of similar lessons I've learned over the years that I believe would be useful for students to hear.

My overall plan for the future. I'm writing my own stuff and hoping to collaborate with others, the singer from my old band moved to Germany ended up on a television show, did well and is now embarking on a so far quite successful solo career and I'm starting to help write material for her (which may or may not get used!). I also thought I might join a function/wedding band when I move back to the northeast, and explore the teaching angle.

In short (looking at how much I've written, not so short!) I want to enjoy the drums again, have fun, and yes, maybe make a little money.

Great advice so thank you.

I would say however that the only way to really learn how to teach is to do it. Every student learns in a different way, and will understand certain (different) things quicker than others will. After a while you'll have developed a number of teaching approaches that you can intuitively apply to students according to their individual needs. Have a go and see how you find it.

It is definately helpful that all your rsponse have pointed out where I should remove my rose tinted glasses, and that I should spend the next few years immersing myself in being taught at the very least, and then take a view from there.

So thank you all.
 
A couple of years ago i accepted that the band I was in were not going to earn our living playing music. At 33 now I had my shot, didn't happen.

Funny because I do want to start studying music professionally and I'm 38 y.o. (I studied and play the drums since when I was 18 y.o.)
Do you think I'm cut out from the music industry?
 
Thanks guys for the responses.... From what I gather in a music context it means you teach people what you know, as in you teach them the way you play and the things you do. To me it always sounded like a way to cheat. So without reading music or teaching students how to, you can still teach them something about how you play, but you arn't necessarily teaching them the way a normal teacher would.

I think you have had great advice. However, I'll add, that a teacher (whether music, history, science...) needs to be formally/classically trained in the discipline. That means completely trained in "music" and the instrument(s) you are teaching. You don't teach people to play "the things you do" or "teach people what you know". You "teach music" which means needing to completely read music and understand theory in every aspect of drumming/percussion. So it does not mean that by "not reading music you can still teach them something about how you play..." . If that's the type of music teaching you want to do then I believe a volunteer position at a boys/girls club would be in order. There you can help them achieve to your level for free as a volunteer. Otherwise I humbly suggest that you enroll in a university music program and get (at least) a certificate or degree in education and music teaching so you have the appropriate credentials to teach. Good luck.
 
I think you have had great advice. However, I'll add, that a teacher (whether music, history, science...) needs to be formally/classically trained in the discipline. That means completely trained in "music" and the instrument(s) you are teaching. You don't teach people to play "the things you do" or "teach people what you know". You "teach music" which means needing to completely read music and understand theory in every aspect of drumming/percussion. So it does not mean that by "not reading music you can still teach them something about how you play..." . If that's the type of music teaching you want to do then I believe a volunteer position at a boys/girls club would be in order. There you can help them achieve to your level for free as a volunteer. Otherwise I humbly suggest that you enroll in a university music program and get (at least) a certificate or degree in education and music teaching so you have the appropriate credentials to teach. Good luck.

Thanks, yep you are right all this advice is great. The way forward is clearly to spend the next couple of years learning and re-assess if its something I could do after that.

Funny because I do want to start studying music professionally and I'm 38 y.o. (I studied and play the drums since when I was 18 y.o.)
Do you think I'm cut out from the music industry?

You mean you want to start playing professionally? I'm sure you are cut out for it and I'm sure there are plenty of people in their 30s who embark on successful professional musician careers.

However, I was describing my personal situation. The band I used to be in, at the time I only had writing input from the stand point of the drums, to a certain degree I was banking the success of the band on the writing talent of the other two members. I was in my favourite band and I wanted to earn my living playing in that specific band.

I had absolutely no desire to be a session drummer, wedding band/function band drummer, etc. After the band folded I searched in vane for another band to join and have yet to find anything that floats my boat. The kind of music I'd like to play has a certain style and image that goes with it, as do many genres, and youth is part of that style. Often unless you have had previous success and are already a recognised name in the genre you have an upper age limit.

Plus, I am planning on getting married and I need to be able to earn money and support my forthcoming family. So I made a choice.
 
Hey Diet Kirk, i go along with what everyone here has said.

You need some form of formal training (music degree or lessons with a top teacher before you start teaching)
But you learn on the job and starting teaching immediately showed me how little I knew and I very quickly started practising and gathering all the knowledge I could...still doing it!

If you are in London I would suggest you check out Mike Dolbear or Bob Armstrong. These guys teach the teachers and Mike is a very knowledgeable experienced drummer/industry guy/teacher. You will be not only improving your playing but also be able to learn how he teaches and get advice on these things.

All the best

Dave
 
I am planning on getting married and I need to be able to earn money and support my forthcoming family. So I made a choice.

Admirable and appropriate. Just remember, the vast majority of musicians also have a day job. Even the big ones, take Queen for example, were teachers first.
 
I am in the business of adult training. I have a few points for you.

1. Never make something up to answer a question. If you do not know the answer say you don't know the answer and then research it for your own benefit and that of your students.
2. Prepare, prepare, prepare. - Every good instructor in any field that I have met understands that you have to learn more about the topic to teach than you do to execute.
3. Be extremely conscientuous about grip and stroke fundamentals to help young and old students alike from developing habits that cause physical harm
4. Take courses or read books about teach or instructing.
5. Borrow from successful teachers that you know or that you see and admire on youtube etc. I am talking about professionals like Weckl. By the way or own (not to be possessive Geoff) Geoff_fry01 has a video on LZ s rock and roll that I foud his demanor and communication skills to be really good. http://www.youtube.com/watch?v=Y6OH_FOc1fI
6. Be sure to understand what each student wants to get out of the lessons.
7. Leverage some of the standard but golden materials out there like Stick Control.
8. Be patient.
 
1. Should I enrol in drum lessons myself for a couple of years, both to expand my knowledge and learn how to teach drums?

2. Are there are good resources out there to learn the kind of things I may need to know. How to structure lessons etc.

These are the same question to me so I'll answer them together. It could help immensely to take some lessons on how to give lessons, but it's not necessary. As Todd said above, it might just help you get a sense of what it's like to be on the student's stool. You can even tell the teacher you choose that you're there to learn about teaching. I've gotten a lot of advice from my own teachers not just from watching them work but asking their specific advice about certain problems.

I think we all eventually come to our own way of teaching things through trial and error. Lesson structuring becomes a lot easier if you're using a progressive method book(s) of some kind as your primary teaching resource. The student's main focus will be the lessons in that book(s) and you can add additional material as you see fit or when they need a break, etc. There's so many tried-and-trued method books out there that I'm not certain it really matters which way you go, what matters is the clarity and enthusiasm with which you deliver the material to the student. I mean, we're talking beginners here. A money beat is a money beat is a money beat.

3. I'm aiming to teach beginners, should I specialise in a musical style, or be open minded to anything?

I think you should primarily teach what you know. The deeper your knowledge of a particular aspect of playing - say, hand technique or Money Beating - the more understanding you can pass on to your students. They'll smell it when you're out of your depth.

4. It has often been suggested to me over the years to try peripatetic teaching, which as I understand it is effectively teaching someone how to play like you do. Is this common? wise?

Peripatetic means "to walk around". So teachers who travel from school to school here in the UK are called "peripatetic tutors". Often we peripatetics work for Local Authority Music Services but not always. I do work both for services and as a self-employed private contractor. If you've got any questions about working as a peri in the UK, drop me a PM.

As for the rest of your question, I think we all end up teaching our students to play like we do to some degree. But I don't feel that my job is to turn out clones of myself, but to give students the tools they need to express themselves and/or become professional players in their own right.

5. Should I even try to teach?

Why not? Do you feel that you have technical knowledge and practical experience playing drums that would help a beginner get started on the right (and left) foot?
 
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I think you have had great advice. However, I'll add, that a teacher (whether music, history, science...) needs to be formally/classically trained in the discipline.

Hmmm...really depends on what we mean by "formal". Many of the best teachers I've had along the way had no degrees. And yet somehow they managed to be highly respected performers and educators.

I'm not saying getting a degree isn't a legitimate route, it certainly is. But it's not the only way to skin the cat. There were generations of great players who learned by rote and on the job. Particularly in the realm of jazz and pop music. Those were only adopted by the academy quite recently.
 
If everyone waited until they were formally trained and educated and totally ready in the eyes of the world, we would not have much of anything, let alone drum teachers. I build custom drums and it is not a career but it is a paid hobby. If all people had the train of thought a guy like Johnny Craviotto was so much more knowledgeable, experienced, trained, whatever, and felt I was not yet qualified to do it, well no drums would be built, cause Johnny can do it better. I guess what I am trying to say is, many careers and companies, most of them I would bet, we're started by people who did not know it all and had all the answers, but we're willing to work and learn while they do it. Well that is how our world works, and maybe this will offend the guy who went out and got a wall of teaching degrees under his belt, but I am sorry, life isn't fair. Maybe you are more qualified than me, but I can still go out and make my mark, and just maybe I will connect in a way that inspires people and sets them on a glorious path. And if they choose to later search for better and more qualified teachers, to continue their quest for knowledge, well that is great too.
That line of thinking just does not make sense to me. There is always someone better, tougher, more qualified, faster, but that doesn't mean we should give up because they exist.
go teach young man.
 
If everyone waited until they were formally trained and educated and totally ready in the eyes of the world, we would not have much of anything, let alone drum teachers. I build custom drums and it is not a career but it is a paid hobby. If all people had the train of thought a guy like Johnny Craviotto was so much more knowledgeable, experienced, trained, whatever, and felt I was not yet qualified to do it, well no drums would be built, cause Johnny can do it better. I guess what I am trying to say is, many careers and companies, most of them I would bet, we're started by people who did not know it all and had all the answers, but we're willing to work and learn while they do it. Well that is how our world works, and maybe this will offend the guy who went out and got a wall of teaching degrees under his belt, but I am sorry, life isn't fair. Maybe you are more qualified than me, but I can still go out and make my mark, and just maybe I will connect in a way that inspires people and sets them on a glorious path. And if they choose to later search for better and more qualified teachers, to continue their quest for knowledge, well that is great too.
That line of thinking just does not make sense to me. There is always someone better, tougher, more qualified, faster, but that doesn't mean we should give up because they exist.
go teach young man.

I think it's more that the degree/diploma etc will give you a bit more grounding in the fundamentals and should give you a good grasp of rudiments,reading and thr ability to play most styles. These are only good things and beneficial to you and any prospective students.
You could also get all this from private lessons.

A degree is also helpful if you want to go and teach in schools and parents will also look at it as a mark of your quality.

I have a diploma in music which is worth about as much as the paper it is written on but parents like to see it. It is something to hold up when you can't say have been teaching for 10+ years of have 50+ students etc.

To the OP why not start teaching now and use that to fund lessons with a private instructor of your own?

Dave
 
maybe this will offend the guy who went out and got a wall of teaching degrees under his belt, but I am sorry, life isn't fair. Maybe you are more qualified than me, but I can still go out and make my mark, and just maybe I will connect in a way that inspires people and sets them on a glorious path. And if they choose to later search for better and more qualified teachers, to continue their quest for knowledge, well that is great too.
That line of thinking just does not make sense to me. There is always someone better, tougher, more qualified, faster, but that doesn't mean we should give up because they exist.
go teach young man.

I do take your point, but does the fact that I am a native English speaker mean that I can teach English? (No it doesn't, just in case!)

Get the piece of paper. You'll learn a shedload of stuff on the way, and have something to show for it. But piece of paper or no piece of paper, teachers are more born than made.
 
Not saying getting a degree is not a good thing, my point is things are still attainable without. My father taught Auto mechanics at a high school for 22 years. He was hired straight out of a garage. he later took courses and somehow did obtain a diploma from Teachers college, but he was teaching before. His first year teaching turned out one of the most gifted mechanics I have ever known,. Tom Cosgrove became well known in the racers circle, built the engines for Bicknell Racing and became friends with legend builder Smoky Yunick. Tom always gave my Dad the credit for putting him on the right path. My son ran into a mechanic 300 Kim's from where my Dad taught, our last name spurred a conversation about the high school teacher (my father) who he also gave props and all the credit for getting him started properly allowing him a successful career. So it wasn't formal training and a degree, it was an ability to communicate in a way that reached people and made them want to learn.
 
But your dad already had experience working in a garage so had the practical skills to back it up.

If you wish to teach at that level nowadays...especially in the uk....a degree of some sort is requried to go into a job like that without having loads of experience.

I'm not saying you can;t teach without a degree/diploma and the OP should just go ahead and start teaching if it's what he wants to do. Charge what he is worth based on experience and skill level and then work on his own playing at the same time.

But a music course or a period of good private lessons will allow him to fill in the gaps in his knowledge and have a greater set of skills,ideas and techniques to pass onto prospective students. Which will in turn allow him to appeal to a larger student base.

D
 
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