Interesting observations RVC. Interesting set up too. No rack tom in two of your photos, and both cymbals to your right. Strange to me but perfect for you! I was just wondering-why no rack tom? It's not like you save any real setup/floor space by not using it. Any particular reason you go without?
Thanks for your observations and questions,
@vyacheslav!
I use the cymbals (either one or two, depending on space or my mood) on the right side only as my little ode to late 60’s-early 70’s Charlie. After doing a deep dive into that Stones era, I became fascinated with Charlie’s setup, which I found odd and interesting as well.
As I incorporated that cymbal configuration into my own setup, I grew to appreciate the decision-making process it inspired in my playing. I’ve got to
really want that exclamation point of a crash cymbal with this rig, which fits the music I’m playing (old country and old soul + similar sounding originals). Most of the time, though, I’m only using hats and one cymbal, and can get all the sounds I need out of just those two.
With regards to no rack tom, I frequently find myself in this type of logistical scenario (a pic is worth a thousand words here):
Since I run my rack toms in snare stands, space actually can be an issue for me in situations like the one in the pic above. I’ve found myself at many a venue not being able to set up my rack tom because my duo partner needed that space for his floor wedge and/or his pedal board. I got used to playing a kick-snare-floor tom configuration to the point I actually prefer it and use it most of the time now, even when I have the space to run a rack tom.
Hope that explanation clarified my thought process adequately enough. I do love the self-imposed limitations of a 3-piece kit with hats + 1 cymbal only. There are a lot of things I’m not able to do with that rig, but it works out really well in the music I’m doing.
Cheers and thanks again for your interest!
Ryan