Rarely-- I did a record with two 22s-- a Sabian Raw Ride and a Bosphorus Turk. I think I just wanted a bigger wash of sound, because they're fairly similar cymbals. In regular playing I would want a bigger contrast.
9 track album
toddbishop.bandcamp.com
Nice playing, and nice cymbal tones, thought it sounded great.
I ended getting another 22" (Renaissance Constantinople), I was lucky enough to play it in person and bring my other 22" Kerope. There is a ~200g difference and the profile is quite different with a good interval contrast, and the Ren has a better bell and can handle higher volumes. Whether I play them together, I'll have to see it in a musical setting but I think it will work for me.
Slightly off topic, I don't know if anyone has an strong opinions when you have cymbals overlapped and how overheads pick up (the idea being the top cymbal is blocking sound from the cymbal on the bottom). Bill Stewart does this often; it's hard to spread out the big pies like 22s unless you have a Simon Phillips setup. The only thing I've notice is not to put my flat ride under, it's already a less loud cymbal and further distance from overhead so blocking just further exaggerates (I think, maybe I'm hearing things too). So Bill may actually have thing here to balance it by putting his flat ride over his main. It's deceiving I find, because it can sound all good from the players perspective and but the mic hears it differently. Can't say I've experimented that much, I usually had my flat ride on the left...it wasn't until I started pairing next to the main that heard some differences.
Originally from Des Moines, drummer and composer Bill Stewart was born into a musical family — his father was a jazz trombonist and music teacher, and his mother was a choral director and music teacher. Bill studied music at William Paterson College, graduating in 1988. He has performed with...
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