As long as I'm derailing this thread... what are the pros and cons of the EAD10 relative to getting something like a Zoom R16 and a simple drum mic bundle?
The biggest con is that, with the EAD10, you're stuck with the mix you've recorded. You can't really mix anything after the fact. In situations where a polished mix isn't necessary, or, where the desired drum sound is "low-fi" or "gritty", the EAD10 sounds good enough and is simple to use. Funky, gritty drum sounds are very much in fashion in new music of the last decade or so.
But if you're going for a polished, professional album sound, in a more traditional style (country, rock, pop, singer/songwriter, etc.), then it's hard to beat multi-track recording. A common mixing issue with heavier music, is that the toms and snare get lost in the mix quickly, because of the aggressive sounds of the guitars and bass. Close mics can provide the support for the tom sound in the final mix. With a multi-track mix, you can momentarily bring up the toms, or any individual track, at key moments, to show off the important element in a song. Very rarely does a professional mix have the faders just sitting there the whole time. Faders are typically moving at key moments during a mix. Thus used to be done manually on large mixing consoles, but nowadays the fader moves are automated within the DAW.
A common issue with toms (and sometimes snare and bass drum) is that they're vibrating even when they're not being hit, due to sympathetic resonance from other drums. So you usually put a noise gate on them within the DAW to prevent the toms from making sound, unless they're being struck. You can't do this with the EAD10, so the overall drum sound will be more "blended". If you like it when the drum sound is well-separated, this might be a drawback.
The EAD10 is positioned underneath the cymbals, which could be good or bad. I've read more than once that some find the cymbals are too quiet; but I would also imagine that the tone of the cymbals is quite different than the tone coming from a pair of intelligently spaced overheads.
So it all really depends on your goals for the music you're making, and the recording/mixing style that is appropriate for the genre.