Real Book Drum Transcriptions - The attempt of an educational resource - Newest transcription: Watermelon Man - Billy Higgins

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Dear drummers,

in my newest video, I present a drum transcription and performance of the first 68 bars of "Bags’Groove", focusing on the subtle and innovative drumming of Kenny Clarke. As one of the pioneers of modern jazz drumming, Clarke’s rhythmic contribution to this track serves as a key learning resource for jazz drummers. His role in “Bags' Groove” is not just that of a beat-maker, but that of a collaborator who seamlessly supports the improvisations of Milt Jackson and the other musicians.


"Bags' Groove" is one of the most iconic compositions by vibraphonist Milt Jackson, also known by his nickname "Bags." Written in 1952, this jazz standard quickly found its place in the repertoire of many jazz musicians and remains a timeless classic. First recorded on April 7, 1952, "Bags' Groove" was performed by Milt Jackson and his quintet, which included saxophonist Lou Donaldson and fellow members of the Modern Jazz Quartet. This session was part of a recording for Blue Note, produced by Alfred Lion. The simplicity of the composition, paired with its catchy melody, helped it quickly become a jazz standard. Over the years, many notable jazz artists, including J.J. Johnson, Gerry Mulligan, and Hank Mobley, recorded their own versions of the tune. Perhaps the most famous rendition was recorded by Miles Davis in 1957, which solidified its place in jazz history.

Kenny Clarke, also known as “Klook”, was one of the key figures who shaped the sound of modern jazz drumming. In the early 1940s, Clarke, along with other greats such as Max Roach and Art Blakey, revolutionized jazz drumming by incorporating more intricate rhythms and greater expressive freedom into his playing.

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Dear drummers,

in my newest video we look at Herbie Hancock's popular composition “Watermelon Man” with a drum transcription of the first 68 bars, originally played by Billy Higgins. “Watermelon Man” is an important piece of jazz history, both because of its groove and because it was Hancock's first commercial success. Written in 1962 and included on his debut album Takin' Off, the track underscores Hancock's ability to combine commercial appeal with artistic integrity.


“Watermelon Man” was inspired by Hancock's childhood memories of a watermelon vendor in Chicago whose horse-drawn wagon rolled along the cobbled streets, creating a unique rhythm. This rhythmic pattern formed the basis for the groove of the song. The song was intended to appeal to a wider audience and mixed jazz with elements of soul, R&B and funk. This fusion of styles helped make “Watermelon Man” a jukebox favorite and a commercial success for Blue Note Records.

Billy Higgins, a drummer known for his work in bebop and hard bop, played a crucial role on “Watermelon Man”. Although Hancock initially had doubts about Higgins' ability to play the funky, straight-ahead eighth-note groove required for the tune, his playing exceeded all expectations. Higgins brought a unique rhythm that combined the syncopation of jazz with the straight rhythm required for funk. His approach provided a “funky jazz flavor” that was crucial to the song's success.

“Watermelon Man” is an essential study for any drummer interested in jazz or funk. It bridges the gap between traditional jazz drumming and more modern funk rhythms and shows how a drummer can support a melody while driving the song forward with groove and feeling. Billy Higgins' performance on this track is a masterpiece in blending styles and his playing here has influenced generations of drummers.

Thank you for wacthing! If you like my content, please don't forget to subscribe to my channel for free for more drum transcriptions and performances and stay tuned for future videos where I will continue to explore the works of legendary drummers and timeless tracks.
 
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