I feel like one can never go wrong with an export. They aren't sexy but man do they just work. The built quality is absolutely outstanding and even though they are poplar shells they are built using the same process and type of equipment as pearl's higher end shells.Pearl Export has been tried and true for over 30? 40? years now. I know little about Mapex, but they seem too expensive for Taiwanese drums imho. At least Pearl Exports USED to be made in Japan.
I used to rehearse at a place with a Pearl Forum kit that was dialed in perfectly. No problems with the play-ability. And those kits are even cheaper than the Export!I feel like one can never go wrong with an export. They aren't sexy but man do they just work. The built quality is absolutely outstanding and even though they are poplar shells they are building using the same process and type of equipment as pearl's higher end shells.
The midtown kits are made of the same shells and hardware bits as the exports, they are just a export micro kit despite having a different name. The stands are all basically the same just single braced, which is a bonus in my opinion.I used to rehearse at a place with a Pearl Forum kit that was dialed in perfectly. No problems with the play-ability. And those kits are even cheaper than the Export!
And this is coming from a "not necessarily a Pearl Drums guy" guy. (for Japanese drums, I prefer Tama for many reasons).
EDIT
I just went to the Pearl site, and it looks like Exports are now Export EXX? and Forums are now Roadshow?
I used to stare at a Tama catalog from 1989 (I was 12) for hours on end dreaming. It was the first time I noticed Pro drummers using non-professional drums. Back then, I thought all drummers in signed bands played the most expensive drums available. Steven Adler, Charlie Benente, Dave Lombardo, all played RockStar kits at certain points. Mind blown! I found out just recently that Dave Grohl used RockStars through most of the Nirvana tours as well.The midtown kits are made of the same shells and hardware bits as the exports, they are just a export micro kit despite having a different name. The stands are all basically the same just single braced, which is a bonus in my opinion.
And yes the forum is now basically just the roadshow. I had a bad experience with the roadshow bop kit, pearl immediately made that right again, but I did have a 22" bass drum and 16" floor tom from the roadshow line that I used as a practice kit and for a few gigs. Outstanding build quality and great sound. That 22" roadshow bass drum with the emad combo (batter and reso) heads was unbelievably deep and punchy for a drum that is part of a like $500 full kit.
The humble rockstar stayed alive and well in the professional gigging metal scene until they were discontinued (again) in the early to mid 2000s. I don't remember the exact year.I used to stare at a Tama catalog from 1989 (I was 12) for hours on end dreaming. It was the first time I noticed Pro drummers using non-professional drums. Back then, I thought all drummers in signed bands played the most expensive drums available. Steven Adler, Charlie Benente, Dave Lombardo, all played RockStar kits at certain points. Mind blown! I found out just recently that Dave Grohl used RockStars through most of the Nirvana tours as well.
His videos are some of the most accurate videos on Youtube IMHO because he doesn't use close-miking.I wont play either video to jusdge on sound, i do like that guys video though. You need to hear them in person, not micd and mixed, thats not the true sound of either kit.
does he ( or do they) use EQ? its hard to say if if the kits will sound the same in person.His videos are some of the most accurate videos on Youtube IMHO because he doesn't use close-miking.
He doesn't use any EQ or post-production. He uses only room mics, which is by far the most accurate way to capture realistic sound for drum demos IMHO.does he ( or do they) use EQ? its hard to say if if the kits will sound the same in person.
What about overhead, like DFP? I think overhead sounds like drummer side, while room mics sound like audience side.He doesn't use any EQ or post-production. He uses only room mics, which is by far the most accurate way to capture realistic sound for drum demos IMHO.
You're right, I should have clarified that he's likely using overheads, I was just lumping them in with room mics. But I meant that there are no close-mics being used.What about overhead, like DFP? I think overhead sounds like drummer side, while room mics sound like audience side.