I had a Mackie 1202 VLZ4 on mind for a minimalistic mic-setup.Can of worms question. What’s your budget?
Yes, I would better stay under 500$.So your budget is under $500? I’d search for something with at least eight mic inputs. Yamahas’ MG line has better circuitry than some Mackie stuff.
So your budget is under $500? I’d search for something with at least eight mic inputs. Yamahas’ MG line has better circuitry than some Mackie stuff.
You’re buying better circuitry. Everything should be quieter, so your mixer doesn’t have to force its way over a high noise floor, and the components should also last a lot longer. Of course, when you get into the new digital mixers, those give you things you never dreamed of in an analog console. For instance, I put my console on stage and everyone plugs into it, along with their in-ears, and I can mix the show with an iPad moving around the room. The band members are also able to mix their own in-ear mix from an app on their smart phones. Another cool thing was the concept of the preset - if the mixer knows what kind of mic I use on my bass drum, it has a preset for EQ and gain I can use as a starting block, then it can save all of those as a global preset so I don’t start from scratch every time I turn it on. It’s incredible.Bo - related to your question:
When you start sliding up into more expensive mixers - what are you getting for your money? Are there certain features or things that you get a $1000 vs. $500 - I'm looking at building a new home recording set up to in the near future.
You’re buying better circuitry. Everything should be quieter, so your mixer doesn’t have to force its way over a high noise floor, and the components should also last a lot longer. Of course, when you get into the new digital mixers, those give you things you never dreamed of in an analog console. For instance, I put my console on stage and everyone plugs into it, along with their in-ears, and I can mix the show with an iPad moving around the room. The band members are also able to mix their own in-ear mix from an app on their smart phones. Another cool thing was the concept of the preset - if the mixer knows what kind of mic I use on my bass drum, it has a preset for EQ and gain I can use as a starting block, then it can save all of those as a global preset so I don’t start from scratch every time I turn it on. It’s incredible.
I had that Scarlett and it’s great. But you’re limited to just recording. I’m starting to like theOk gotcha - so a mixer has some killer live application too in addition to home recording.
What are your thoughts on an audio interface and all digital mixing instead of a mixer?
Something like this with protools:
Focusrite Scarlett 18i20 3rd Gen USB Audio Interface
USB 2.0 Audio Interface, 18-in/20-out, 24-bit/192kHz, with 8 Mic/Line Inputs; 2 Instrument Inputs, 2 x ADAT I/O, MIDI and S/PDIF I/O, Dual Headphone Buses, Talkback, and Bundled Software - Mac/Winwww.sweetwater.com
What are your thoughts on an audio interface and all digital mixing instead of a mixer?
I had that Scarlett and it’s great. But you’re limited to just recording. I’m starting to like the
Mixing console that can do both. On my Yamaha TF, not only will it do live because you have enough inputs and outputs, you can also plug a computer into it and run Nuendo and recording everything as a seperate track (depending on how powerful the computer is). So you can record up to 40-tracks simultaneously and when you mix down, it’s going back through those same input channels so you can do an actual mix down through the console. I think ProTools is great and still the industry standard, but thanks to digital technology, the lines are getting more blurred by what the box can do for you.
So with the way I am now, I’m not limited to just eight channels at a time. I can do a whole band.
See? All it takes is $$$$ ?Dang - 40 tracks would be pretty cool.
Thinking about tracks now:
Snare Top and Bottom : 2
Rack Tom 1: 1
Rack Tom 2: 1
Floor Tom: 1
Bass Drum: 1
Subkick: 1
Hats: 1
Over Heads: 2
Room Mic: 1
That's 11 tracks right there - already moving past the Scarlett.
Wouldn’t it be cheaper to just have at least a 16 input board? I had a Yamaha MG-something that had 16 inputs for $3792 Mackie ProFX 12 mixers.
One mixer is used for all tom mics.
The Main Out L and R of the "tom mixer" goes into the Stereo Return of the other mixer.
The "other" mixer is used for 2 kick mics, 1 snare mic, and a pair of overhead mics.
The Main Out of this mixer goes into whatever I want to record with.