I’m glad this old thread has resurfaced, because I’ve been wondering the same thing lately, especially from watching clips of 70’s rock drummers. I don’t rimshot my backbeats, and I rebound the stick after each stroke, but some of these guys get a solid snare sound each stroke by leaving the stick on the drum.
I also saw a guy at a live jam this year pressing a stick into the floor tom sometimes, and it made a short but deep sound. A nice staccato accent on a drum that usually rings for a second or two.
I tried it and it sounds thin and weak. Maybe it involves striking the drum with the side of the stick rather than the tip? Or loosening the tension as the note dies away? Any experts out there with some good advice?
I think when i just started drumming i did let the stick rest on the head after a bit, but after a while i noticed extra notes being played. Took me some time to adjust to hit the head and not letting the stick rest on the head. Got used to that, discovered ghostnotes and i'd needed to learn how to do those xD
These days the stick just hovers maybe 0.5 or 1 cm above the head after a hit.
Im glad someone asked this ive only beed playing - learning for around a year and a song i just learned. Judas priest heading out to the highway i noticed i do this .for me i think it might be because its a faster paced song at least for me
Right, pressing the stick into the head and not letting it buzz or rebound is called a dead stroke. It's sort of an old school way of playing rim shots. There's no reason not to do it if somebody likes the way it sounds or feels. There aren't too many uses for the technique outside of rim shots-- maybe on cowbell, or to dig into the hihats, or play a muffled stroke on a floor tom or bass drum.
I play rim shots a lot (not dead stroked), at any volume level. It's just a different sound, they don't have to be loud.
Todd is right. If you like or want the sound, then do it. It's not "wrong" as a means to making music. If you're trying to do rudimentary or precision work and a teacher tells you it's wrong, what they mean is it's not correct for that controlled-application. If you want that sound for something you're playing it's "right".
I often reflex the stick on the snare count, hitting it twice even if it calls for a single. My exercise in this is to have light enough touch to make the rebound sound ghostly, I practice that.
Has anyone heard of this? I see this phenomenon happen live quite a bit, maybe due to venue acoustics.
But never the dead stroke unless there was something I heard and am going for, that ones more second nature, as I like to recoil so to speak.
Dead sticking is part of the basic timbale groove. I'm still trying to master it and make it sound good. They specify that it should be done to the side of the timbale, the stick isn't pressed into the head, and it isn't a rim shot or double stroke, more like a rattle or djembe slap.
Sounded obnoxious when I first started to do it, but I'm warming up to it.