Thanks for posting. He's beyond words... all feel and groove.
I don't know that you've been wrong, really.I was very inspired by him to be this kind of player. To serve the songs & lock in as best as I can.
Then I met my current bass player who told me that, "pocket players make the band sound like they're lagging. They need to be ahead of the beat & drive it, not just support it".
After I heard that, I looked into his comment & found out that many drummers are in fact a millisecond ahead of the rest of the band. Just enough that the audience will feel the drive, but not so much that it sounds like it's rushing.
JR Robinson demonstrates this really well in a video for when he played Jeff's part for Michael Jackson's Beat It. He showed how his hi-hat & snare groove was "slightly ahead" to give the song a drive.
That threw me for a good loop as I always thought being spot on with a click was the right thing to do. Seems I've been wrong for the last 39 years.
Goes to show sometimes you think you know it all, until you find you never knew a thing.
When learning some of the classic MJ tunes on bass I noticed a few of them are sharp, I think Beat It was one of them. I asked around for an explanation and was told they recorded them then sped them up a bit to give them a bit more energy. Interested to see the JR video you mentioned if you wouldn't mind linking to it please?I was very inspired by him to be this kind of player. To serve the songs & lock in as best as I can.
Then I met my current bass player who told me that, "pocket players make the band sound like they're lagging. They need to be ahead of the beat & drive it, not just support it".
After I heard that, I looked into his comment & found out that many drummers are in fact a millisecond ahead of the rest of the band. Just enough that the audience will feel the drive, but not so much that it sounds like it's rushing.
JR Robinson demonstrates this really well in a video for when he played Jeff's part for Michael Jackson's Beat It. He showed how his hi-hat & snare groove was "slightly ahead" to give the song a drive.
That threw me for a good loop as I always thought being spot on with a click was the right thing to do. Seems I've been wrong for the last 39 years.
Goes to show sometimes you think you know it all, until you find you never knew a thing.
Of course now that I'm looking for it, I can't find the exact video I saw.When learning some of the classic MJ tunes on bass I noticed a few of them are sharp, I think Beat It was one of them. I asked around for an explanation and was told they recorded them then sped them up a bit to give them a bit more energy. Interested to see the JR video you mentioned if you wouldn't mind linking to it please?