But a click is such a Godsend when you don’t feel like having to think or try, because it’s a crap gig that you’re doing for the money. You just space out and stick with the click. Easy money. LOLAnd a whole lot of studio work occurs without clicks, more than some may presume. Clicks are great for slow pieces with lots of open air and caesuras, but for faster beats that beg for pure feel and freestyle grooves, submission to clicks can have a prohibitive effect. Clicks are an invaluable tool, but I prefer to treat them as a situational resource, not as an ever-present crutch.