On the other hand, he means the 10 year comment.=). He advocates the COMPLETE mastery of each concept before the next is even looked at.
I would suggest one of 2 ways of looking at the book. As any old drum book, whopdee do, another Jazz co-ordination book, just what we need. Or Bob Moses' book. There is a massive difference. If you approach it like any old drum book, his ideas and processes will not work like he has outlined. What the book does not and cannot convey (as he freely admits) is the sheer magnitude of material the 8 points concept alone generates. You really CAN spend years and years exploring all angles and still miss some. The complete dedication to each concept and it's philosophy is what he's after and one is needed for the next to be truly comprehended. How can you play the birds and the trees when you can't make humans dance.
On the other hand still, the book is complete crap. Or so he told me when I studied with him. I've mentioned on here that he would jostle between saying 'read the book better' and 'throw it out, it doesn't explain what I mean'. So take the book for what you will. Studying with him is the best way to get at his vast knowledge- no book, video or masterclass will come close. But obviously since not everyone can do that, I do think the book is very good and I love it but the 8 points are the gold. If you have the book, spend the majority of the time on the 8 points and comprehending fully the philosophical aspects ( though he'd routinely call some of those parts bulls**t as well=). Remember though, Bob's 'thing' isn't in what he plays, it's in how and why he plays it.
G