Palaeographical
Active Member
That's the actual reason gear exists, really. Most of the 19th-century brass instrument boom wasn't really about inventing new timbral niches, but to bring the functionality of an existing brass instrument to a different performance context.
At the end of a day, a drum is a drum and a cymbal is a cymbal. You can bang on coffee cans and spin bicycle wheels and make it work for jazz, rock or country. You don't need a big bass drum for rock, you need a big bass drum to play for 1000 people on an outdoor stage on the grass, or when you're playing over 25 brass players.
At the end of a day, a drum is a drum and a cymbal is a cymbal. You can bang on coffee cans and spin bicycle wheels and make it work for jazz, rock or country. You don't need a big bass drum for rock, you need a big bass drum to play for 1000 people on an outdoor stage on the grass, or when you're playing over 25 brass players.