I have a few snares with figured wood that all sound great. I purchased each of them on the merit of sound, not the cosmetics.
But there is a backstory on one of these snares that has led me to a new realization.
The snare in question is a beautiful steam bent Birdseye Curly Maple. I found this particular snare online and noticed it had been sitting on the shelf at a particular drum shop for a really long time. I contacted the manufacturer and asked him why it hadn't sold. Was something wrong with the drum? He told me he couldn't figure it out. He had built a few of them with the exact same size/specs, but that this one I called about sounded exceptional. A drummer doing a clinic used that snare I ultimately ended up purchasing (note: he owns an identical snare to mine that he had purchased from the same manufacturer years prior). I was told he couldn't believe the difference in tone and overall sonic quality between the one he owned and the one he used for that clinic. I'm surprised he didn't purchase it on the spot and sell the one he already owned. Mama didn't raise no fool: I scooped it up.
Simply put, I think there are just some snares that "have it." Call it magic, call it mojo, but whatever it is, there are snares even though they are one of many made by the same manufacturer to the same specs, rise to the top and just sound better than their counterparts.
Acclaimed bassist Leland Sklar also tells the story behind his Frankenstein Precision Bass he custom built. He went to a shop that had a pile of raw Precision bodies. Lee suspended each one of them by a wire, struck it with his hand and listened. Out of 30 "plus" bodies only one of them resonated and sounded better than all the others. That's the one he walked out with and the rest is bass history.