I'm not talking you into anything, nor trying to talk you out of it either...play what you love ..The steam bent drums that Gretsch "improved" were snare drums yeah? I don't recall anyone doing SinglePly toms and bass drums back then . Am I right.? Maybe bass drums.Some guy tried to talk me into Camco once
didn't work either..
The old not worth the money rave surrounds this Brand, with a little I don't hear the difference between them and anything else. Occasionally you get their snares are stellar but bass and toms Meh.. They are built the same , how can a snare be good and not the toms and bass ? Huh? I don't get it. I'm keeping mine I think they are head and shoulders above most..I'm not trying to convince anybody , if that's you're truth believe it. But I am not convinced that they are just ordinary drums. Not by a long shot. I'm talking drums alone , not in a skanky barroom not on a miced up stage . So if I'm to walk into a room with a crav kit and a stencil kit both set up I'm going to choose the stencil kit .. every time.. Yeah Right!
I can weigh in here. I have two wood Craviotto snares. A 6.5" Walnut and the 7" Birdseye / Birch one in my avatar. The 7" is absolutely the best sounding snare drum I've ever played and I think it's some of Johnny's finest work. I use it even for small group jazz combos, as it speaks so perfectly. The Walnut has a meaty sound that is also great. Just a great workhorse snare good for all types of music.Nice catch! But that's not really what's up-- I'm not AT ALL convinced that Craviotto are for me and I'm pretty sure they're not. And I've got ZERO plan but I have got too much stuff around the house. I'm selling the Gretsches because I just like my Yamaha AHMs better as a bop kit. Heresy, I know, but still.
And one of the big reasons I'm inclined against getting a Craviotto or any super high-end kit is because I think 90% of my jazz sound is cymbals and snare. The toms are just not that important. And for backbeat stuff, producers seem to adore my Yamaha toms, so no reason to go expensive there, too.
I've been using my Noble and Cooley as my main snare for the last six years or so but I am craving something shallower for jazz. Maybe brass, but maybe wood. Not sure. The Canopus piccolo is amazing. So is the Recording Custom aluminum. Who knows at this point?
But yeah-- the Craviotto kits ARE gorgeous and some people swear by them, so I kinda want to hear what people think. But Matt Chamberlain appears to have switched from Craviotto to Yamaha AHMs and I LOVE his current sound.
At this point, I'm honestly curious and I haven't found as much as I'd have though about these drums given how fancy they are.
I'd say yes/snare drum and bass drum in the 10s/20s was all there was /add a Chinese tacked tom/ Civil and other war era 1800s marching drumsI don't recall anyone doing SinglePly toms and bass drums back then . Am I right.? Maybe bass drums.