Thanks for posting these- loved Bernard's grooves w/ the bass at 3:50 in snake snack!Purdy is one of a kind, total master of his craft, nothing but RESPECT for his drumming.
He said in an interview this past October that he was playing dates in Japan (where apparently there's a wave of intense interest in '60s and '70s music going on) and having a great time and was still happy with his playing. So he may very well have more active years ahead.I wouldn't think being 81 means this is the end. YMMV according to genetics and health, how you took care of yourself all those years, etc.
Look at legendary drummer Roy Haynes, who's 97 and played into his early 90's, at least from what's available that I've seen on YT.
it's a layout -like the keys- of a piano (ascending)
I love it.
especially when it's a 12/10
10 as First tom (coming off snare) is "too high" (sometimes) (most of the time) and yet, placed to the right of the 12" places the 10 in an accessory or auxiliary position that- imho works beautifully (there.
Allows Ride cymbal (to be) pulled in closer; Still a 5 pc. "target" wise.. ; has many benefits.
think of it as a 4pc with (small) auxiliary tom
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anti-in a gadda da vida
or soyl/ white room Cream but compact
and darn concise
it's for the thinking drummereven when he doesn't have to think
Toms left to right setup as 12>10>14. This is what I was asking in an earlier post. Is this common? Do many of you configure your kit as such? No biggie, just wondering.I loves his xplain'g of the reverse tom setup when he played 4 drum roll we would go from left to right then back to the snare as 2 strokes each hand/drum top two down to the bottom two.
That was in a way comedy as he made a mockery of the question itself.
Makes perfect sense the way he xplain'd it. 🙂
Then later he did a regular roll left to right 12->10->14 and it sounded perfectly fine,
Making us fools thinking otherwise.
Toms left to right setup as 12>10>14. This is what I was asking in an earlier post. Is this common? Do many of you configure your kit as such? No biggie, just wondering.
Ditto, same sentiments here.Something about listening to Bernard is relaxing to me. Ya..he can get self absorbed but I see it as humorous not irritating. Jeff admired him..i have to as well cause Jeff's the man.
I do. It works for me and it’s a smooth transition to a four piece if I want to reduce the load.Toms left to right setup as 12>10>14. This is what I was asking in an earlier post. Is this common? Do many of you configure your kit as such? No biggie, just wondering.
I have used it, but currently only have one tom up. A number of well known drummers use this type of set-up, though.Toms left to right setup as 12>10>14. This is what I was asking in an earlier post. Is this common? Do many of you configure your kit as such? No biggie, just wondering.
could have been a Positioning thing Ed Shaughnessy
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That timpani is interesting. Please tellThe first drummer I saw reversing his 10”&12” was Kenny Aronoff in the 80’s.
I played like that for twenty or more years until I switched to a four piece kit.
After playing that way for so long I would say that the 12” is my “go to” tom so it was right in front of me, the 10”, which was flavor, was off to the side and I would catch it for effect.
I’m not an “around the horn” drummer but if I did then I just skipped the 10” and went 12”14”,16”
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That timpani is interesting. Please tell
about it!
Those are awesome. Remember seeing photos in a catalog but never knew anyone that had them. What a great portable set.I have two. They are vintage Sonor acrylic timpani, one in 24” and one in 22”
The tuning system is remarkable in that the tuning lugs are interlinked with a wire system so if you turn one lug, they all turn.
I would help some German drummers get their Vintage Ludwig drums to Germany and in return one very graciously sent these two beauties to me.
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