donzo74
Junior Member
I had posted some pics of my new Premier Maple Genistas in the "Show Us Your Premier Kits" thread a few weeks back. I'm enjoying them and wanted to share something I learned while fixing them up that could help the broader community.
I experimented with the suspension mount on the 12" tom. It's the Premier version of a R.I.M.S. mount. I don't have any experience with these types of mounts but this one seemed to sag a bit and made a little bit of a creaking noise when playing. It probably never would be heard while playing but just knowing it was happening was enough to make me want to stop it. It also seemed that if it was hit really hard or if the stand got bumped that it could flex enough to contact the shell. I also recalled that the first gig that I took these on, the sound crew didn't like the suspension mount because they couldn't clip the mic on the tom and they had to use a boom stand. No big deal, the show went on and the drums sounded great but these were issues that I wanted to address to take this kit to the next level of performance and dependability.
To make a long story short, I was reading through the DW forums and ran across a few pics and statements from other drummers who used R.I.M.S. but inverted them and used them on the bottom of the drum. This made some things click for me. If I put the mount on the bottom hoop...
1. The top hoop would be free for mic clips.
2. The drum would be top heavy and the mount wouldn't sag in towards the drum. It would pull away under load and never come near the shell.
3. The inverted mount would not make noise. (I was just hopeful of this but it turned out to be true!)
4. The sustain would be enhanced, or at least not be any less than it was when the mount was on the batter head. (turned out at least as good, if not better)
5. Batter head changes would be quicker and easier since the mount is now attached to the less frequently changed reso head.
6. For drummers that fly two toms over a virgin kick (I do not), you can position the toms easier and closer together without having your cymbal stands right up on your bass drum.
I'm sure there are other reasons that this could be advantageous but those are just some of the obvious points that come to mind. The only reason I could think of to not do it was aesthetics and it turns out that I really like the look of it, too, so that left me with no good reasons to not give it a shot! I've seen high end hits from Sakae and some others where the suspension mount was on the bottom hoop or mounted from the bottom lugs instead of the top, so I went with it.
So, I'm happy that I did this experiment and it made me like this kit even more than I already did. Also, I wanted to post this here as an example of seeing a set of real world issues, reading about a potential fix through the community on the DW forum and successfully implementing the fix that solved all of my issues and led to a better sounding and looking kit that was more dependable and user friendly AND allowed me to use all of my OEM parts, without spending additional $$. If anyone was considering trying this, I would definitely go for it and I think you will not be disappointed. As always, with different products of different specs, as they say, YMMV, but I have heard of others doing this with R.I.M.S. style mounts on other kits, so it should work fine for most. I'll close with some pics.
Before, mounted on the kick w/ suspension mount on the batter side. Notice the boom stand they had to use because the mic clip wouldn't go on the top hoop:
After inversion, mounted from cymbal stand w/ suspension mount on the reso side (yes, this is pictured with the 24" kick instead of the 22" above and, yes, she thumps!!)
Close up of the mount under load with plenty of space between the metal and the shell:
As always, best wishes, happy holidays and happy drumming to all!
Don
I experimented with the suspension mount on the 12" tom. It's the Premier version of a R.I.M.S. mount. I don't have any experience with these types of mounts but this one seemed to sag a bit and made a little bit of a creaking noise when playing. It probably never would be heard while playing but just knowing it was happening was enough to make me want to stop it. It also seemed that if it was hit really hard or if the stand got bumped that it could flex enough to contact the shell. I also recalled that the first gig that I took these on, the sound crew didn't like the suspension mount because they couldn't clip the mic on the tom and they had to use a boom stand. No big deal, the show went on and the drums sounded great but these were issues that I wanted to address to take this kit to the next level of performance and dependability.
To make a long story short, I was reading through the DW forums and ran across a few pics and statements from other drummers who used R.I.M.S. but inverted them and used them on the bottom of the drum. This made some things click for me. If I put the mount on the bottom hoop...
1. The top hoop would be free for mic clips.
2. The drum would be top heavy and the mount wouldn't sag in towards the drum. It would pull away under load and never come near the shell.
3. The inverted mount would not make noise. (I was just hopeful of this but it turned out to be true!)
4. The sustain would be enhanced, or at least not be any less than it was when the mount was on the batter head. (turned out at least as good, if not better)
5. Batter head changes would be quicker and easier since the mount is now attached to the less frequently changed reso head.
6. For drummers that fly two toms over a virgin kick (I do not), you can position the toms easier and closer together without having your cymbal stands right up on your bass drum.
I'm sure there are other reasons that this could be advantageous but those are just some of the obvious points that come to mind. The only reason I could think of to not do it was aesthetics and it turns out that I really like the look of it, too, so that left me with no good reasons to not give it a shot! I've seen high end hits from Sakae and some others where the suspension mount was on the bottom hoop or mounted from the bottom lugs instead of the top, so I went with it.
So, I'm happy that I did this experiment and it made me like this kit even more than I already did. Also, I wanted to post this here as an example of seeing a set of real world issues, reading about a potential fix through the community on the DW forum and successfully implementing the fix that solved all of my issues and led to a better sounding and looking kit that was more dependable and user friendly AND allowed me to use all of my OEM parts, without spending additional $$. If anyone was considering trying this, I would definitely go for it and I think you will not be disappointed. As always, with different products of different specs, as they say, YMMV, but I have heard of others doing this with R.I.M.S. style mounts on other kits, so it should work fine for most. I'll close with some pics.
Before, mounted on the kick w/ suspension mount on the batter side. Notice the boom stand they had to use because the mic clip wouldn't go on the top hoop:
After inversion, mounted from cymbal stand w/ suspension mount on the reso side (yes, this is pictured with the 24" kick instead of the 22" above and, yes, she thumps!!)
Close up of the mount under load with plenty of space between the metal and the shell:
As always, best wishes, happy holidays and happy drumming to all!
Don