I like to tune my toms with a minor third between the batter and reso, so the reso will be 3 semi-tones higher in pitch. When tuning this way, there's an easy formula. Let's use your 10" tom as an example:
- Select the fundamental for your drum (3D).
- Tune the reso to one octave higher, minus one semi-tone (4C#).
- Tune the batter head 3 semi-tones lower than the reso (3A#).
In your case, you want the batter
higher than the reso, so follow the same steps, but use the higher note for your batter and the lower for your reso. You can use the same formula for any drum, just figure out the notes accordingly. I prefer to tune to frequencies rather than notes because I feel it's more precise.
Here is a handy reference to find the frequencies.
I'd wonder why you want your batter tuned higher, especially since you are tuning a bit on the high side to begin with. That call-to-post tuning you are using tends to make the 14" too high, IMO, and then you're tuning with the batter higher. It's going to feel like a snare drum. I usually tune my 14" to 2E with the reso lower.
It took me a long time to find the tuning combination that I like. I have the same tom configuration as you, and usually tune 3D, 2A, 2E, 2C. It sounds good to me this way, with a nice spread between each tom. What I don't like about it is that 2A is a bit low for the 12", and 2C on the 16" floor tom lacks tone. I prefer the 16" to be around a 2D, but then it gets too close to the 14", and I don't want the 14" any higher than E. Same for the 12", I like it better at a 2B or 2C, but then that pushes the 10" up into a jazzy type of tuning range.
TLDR: when tuning batter higher than reso, use the same pitches for individual heads as you would for reso higher, just reverse them. The fundamental pitch will be the same not matter which head is tuned to which note.