Hell yes.
I say it half-jokingly, but the truth is I really do believe that Tony's work in 1964 was like a style unto itself. He had a particular lightness of touch at that point, and his use of the left foot for more sparse patterns and accents was only around for a very short time. By the year 1966, Tony was using the four on the floor hi-hat style that he'd become famous for innovating. He also hit much harder by the late 60s as he made his foray into fusion.
But his style and 64 and 65, that was really something. He had a way of playing the unexpected. He didn't finish phrases where you thought he would. Instead of crashing at the end of a big fill on one, he would just decrescendo and let it sort of fade away. Tony was just like the opposite of a cliché at that point.
I really don't think there has been anyone like him, before or since.