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#1
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thought?! |
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#2
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Quote:
Fox. |
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#3
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Once I read in DRUM! about Josh Freese and his versatility in his playing. As a good musician, Freese can go from trad to matched and back again at will, which I think is certainly no disadvantage. If you can get the technique down for each at a proficient level, then more power to you.
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-Insert witty comment here- |
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#4
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Quote:
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#5
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Absolutely, I switch constantly...
__________________
"I found that to really make money, you had to give up music. So I gave up money" - Mel Lewis |
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#6
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I do both and I can't imagine anything else - at least not when practicing. Certain bands/styles etc might require one grip, but I woud definitely recommend practicing both. Even as a beginner I started with trad grip also, although a few months later than with matched. Now I tend to grab the sticks with trad grip automatically and switch to matched if needed/wanted. Except when I'm practicing something like blast beats I would switch between trad and matched every 10 minutes or so, I simply got accustomed to that and I guess going back to only one grip would be just boring. Trad grip feels more appropriate for subtle embellishments.
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#7
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For those of you who switch between traditional and matched grips, how do you set the tilt your snare?
When I play trad, I like to have my snare tilted slightly towards the bass drum. When playing matched, I prefer to have the snare tilted toward me. However, I don't want to get caught up re-adjusting my snare tilt every time I switch grips. Given that, I just leave it tilted towards me (preference during matched grip). What do others do?
__________________
Tama Starclassic/Imperialstar | Zildjian A Custom ReZo | Remo | Vic Firth 5A | Roc N Soc |
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#8
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Steve_tx,
exactly! That's the tilt I prefer when I'm concentrating on one of the grips for some time. As a compromise I have my snare (with a pad on top usually) about flat, and relatively high. I don't have a full kit though and if I had, the snare tilt would really be an issue... still ahead for me. |
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#9
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Mine is set on a very, very slight angle towards me.
__________________
"I found that to really make money, you had to give up music. So I gave up money" - Mel Lewis |
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#10
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I leave mine tilted towards the bass, and let my left- hand "deal with it." I played match for many years before I made the switch, so I find my german-style grip is better at compensating for the far-tilt than my trad grip would be for the near-tilt. The middle-ground approach of keeping it flat just doesn't feel right to me.
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#11
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Flat. My snare is absolutely 100% flat.
FLAT FLAT FLAT FLAT FLAT
__________________
In Steve we trust. Gretsch / Bosphorus / Vic Firth / Remo |
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#12
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I tried the tilt on the snare but only if im sticking to tradish and need that fatty backbeat. I keep mine flat so I can play confortably with both grips, so i agree
FLAT FLAT FLAT! |
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#13
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"tradish" just sounds weird, makes me think of radishes...
I almost only use trad grip, My main band has a old timey look and I'm a Pipe band snare drummer so needless to say that my left hand never gets called to play matched. I do work a fair bit of cross-sticking in my playing so I been working on flipping the stick around quickly to use the butt end for cross stick playing. It took a but of practice to get quick at it but now I don't come into the measure late anymore because I had to switch my grip back.
__________________
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#14
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Like when your right hand holds it different from your left right??
bahahahahahahaha (cleary this is a joke) Inverted Malf Taps!!! |
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#15
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Hey drummerjunkie
how do i get my drum to go "goooof" |
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#16
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Hi there, I'll take a McSwissCheese with a side of ratamcues and throw in some book reports if your nasty
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#17
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I do a lot of switiching on quieter songs that require a bit more finesse on the snare or hats, and also if I find myself needing some man-sized cross-stick sound. But when it comes time to go back to rock backbeats, I swing it back around and go matched. Think of it as one more tool in your quiver.
__________________
Al Parrott "Jus suum cuique" |
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#18
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record yourself saying "gooof" upload it into the brain of an electronic drumset, send out the pad to a PA and get rowdy!!!
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