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| General Discussion General discussion forum for all drum related topics. Use this forum to exchange ideas and information with your fellow drummers. |
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#1
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By the way speak up I'm losing my hearing as we speak. |
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#2
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I think doing the "Big Kit" syndrome on Bozzio is really quite unfair. Personally, i don't regard him as a drummer when he plays his solo stuff. He's a percussionist. If he was playing with a band, he wouldn't use that kit - see Black Light Syndrome, some very tasty playing. His massive kit playing is extraodinary, and i wouldn't insult him for anything. He'd probably come orund my house and cut off my head with a custom made 15 and a half inch china. Plus i'm going to see him on the 9th of August, so there. lol.
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#3
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Whoa, sick gig Lawrence. You're going to love that.. come back with new ideas and further outclass me.. *sighs* ah well.
As for our friend Terry; well, I personally don't like his style of drumming. That's not to say he isn't a superb drummer and I completely understand his importance and skill. He is very original and creative: just not my cup of tea. The large kit is necessary for what he plays, and (contrary to popular belief) he does actually use all of it. A great guy too apparently. |
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#4
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i personnaly am not a fan of big kits. i use a four piece"
TAMA STARCLASSICS 12 inch rack 16 inch floor 22 bass 14 by 6.5 snare (pork pie big black) ZILDJIAN 20 inch acustom crash 18 inch a custom projection crash 21 inch A sweet ride plus my old sabian xs hats (they sound perfect i coudl have swornb they were mislabled) no other xs sounds like mine. and i might get a china i feel liek if u have a small kit u will learn more. if u ahve a small kti then you wil ahve les to work with forcing you to get creative. i only have what i need and no more. like the only few things i would maby add to my kit would be a 10 inch snare to my left a cowbell and a china. i dont relly need mroe than one crash but i amn thinking of replacign my 18 inch wiht another 20. |
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#5
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I personally choose to have a big kit to compensate ;) I'll admit it
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#6
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In terms of big kits.........
There's a fine line between awe and rediculous! Alex Van Halens drum set in the 1984 "Jump" video is absolute AWE! Its a true creative classic. I have yet too see any other drumset that is big, fancy, and practical like Alex's in 1984. Dap. |
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#7
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When I get around to it, I will have a big ass kit. To be honest, I want to have fun behind the kit....I will maintain a small jazz kit as well though, and try and give that as much attention so I don't end up "reliant". When you do something great on a tiny setup it feels really good!
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#8
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I have an average size drumkit. LOL.
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#9
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I think big kits are cool, but yeah I also feel a lot of drummers try and make themselves look better by having a bigger kit. Drummers that can have awsome solos with three toms such as Steve Gadd I seem to respect a bit more. Terry Bozzio is also one of my favorite drummers, but I always question myself whether or not he needs so many drums.
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Anti-Emo Sith Lord |
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#10
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take mike portnoy for example. he uses his whole drum kit. He obviously could still do really well on a small kit. but having a biger kit opens doors for more possibilities.
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#11
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ok let's start with...
OFFTOPIC!!! speaking about your statement... I think - no :D *edit Ok, maybe not offtopic...I just read that title of this thread :)) |
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#12
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Big kit = big possibilities. More options, more musicality. You can play small on a big kit, but you can't play big on a small kit.
Cheers.
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#13
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I have had just two sets so far. The cheap 4 piece set I learned on and the 11 piece Tama Imperial Star Extras I bought in the 80's and still play today. Yes they still look and sound good after all these years. Anyway, like Dogbreath said, a big set gives you more options and possibilites. Yea I can play just as well and be as creative on a small set but I like big sets better. I still use two base drums although I see most of you just use one and go with a double pedal. Don't mean to ramble but I really don't think it matters what size set you play. You are either good or your not and how many drums you have, or don't have, isn't going to make a difference.
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#14
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#15
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I used to be a pretty big kit kind of a guy - 6pc drum kit, two rides, three crashes, two chinas, hats, three splashes, double pedal etc. But I've recently dropped back to a kind of amalgam of two small sets: Set 1 - 4pc drum kit (12-16-22 with 13x5 snare) with a K-Custom Dark Ride, a 16" "Old K" turkish-made Zildjian, a 16" China Boy Low and hi-hats, drums all tuned to a wide open kind of sound. Set 2 - A percussion set including bongos, 2x Yamaha electronic pads + brain (plus a sampler via MIDI), a wood block, an 8" splash and a 10" Istanbul mini-china on top of a 10" K splash. Depending on song sections I tend to pretty much pick between which section of the larger kit I'm playing and then treat that as an individual instrument. Each of those kits has enough possibility that you could play it for years without running out of new amazing stuff to do with it in terms of new tones, combinations and approaches. I used to just consider my snare drum to be a thing that made a "snare drum sound", now it's an instrument that has a wide range of possibilities. So is everything else on the kit. If I took an expansionist approach - I need a new sound, let's add more gear - I'd end up taking up the whole stage without developing in any particular way as a musician. For my money, the best small kit guys (Joey Baron and his ilk) win hands down on taste, musicality and creativity over the likes of Mike Portnoy. Terry Bozzio gets to be an exception in my book though, since he's actually bothering to tune that stuff into a chromatic scale and you therefore *need* that much gear to make that approach worth bothering with at all. |
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#16
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#17
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I'm a little lady ... I play a relatively simple, small-size kit. I'd consider a larger kit, but only if I felt I could actually use the additional bits. It has nothing to do with compensation. (Altho some might say "simple kit - difficult woman"!) 8-)
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"Glynes" ************ Don't mess with the little lady drummer!!! |
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#18
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#19
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I couldn't have said it better. ;)
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Anti-Emo Sith Lord |
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#20
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You can play a small kit with many drums, but you can't play a big kit with few drums. Better? And as far as some "big kit" drummers not using everything that they have available to them, all that means is that those particular drummers don't need big kits. Cool. Not everyone who buys a Corvette drives at 150 mph. But if you buy a little 4-cylinder Honda, you won't be winning any drag races. I like having options. If I want to play jazz with only my snare, bass, ride, and hi-hats, I can. My options are not limited, but a "small kit" player's options are.
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#21
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Like I said I play a big kit and use all of it, especially when I solo. I like the options a big kit gives me. Look at it this way, I play a basic 5 piece kit with some extra drums added.
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#22
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And my comment was more that big kit drummers tend to have, on average, about as many sounds as they have drums, while smaller kit drummers tend to have a lot more sounds per drum. For a start the more stuff you have the harder it gets to find new angles and approaches to hit them from, there's other stuff in the way. Also, you may be able to play just four drums if you like... but don't tell me you can get between those four as well as somebody who *only* has four, the more stuff you have the further apart you have to put it - that's just reality. Long reaches between surfaces add major technical challenges when it comes to getting your touch and tone really precise. Last edited by DogBreath; 01-11-2006 at 10:23 PM. |
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#23
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#24
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As I said, you can play a small set with a big kit, but you can't play a big set with a small kit. Unless you are easily distracted, in which case you should try to keep things as simple as possible. =-)
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#25
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#26
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__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#27
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"... Don't be afraid to break up the rhythms around the drumset once you feel comfortable with the exercises". How would you go about that? Would you break up the exercises between different drums, or try to draw multiple tones out of single drums inside a repetitive exercise? My point is that having a big kit tends to encourage somewhat more simplistic thinking about how many sounds you can get out of one drum. So as a big kit player I used to try to break things up between maybe fifteen or sixteen surfaces and would just use a very basic sound from each surface. So if I decided to use my 12" tom I would hit it right in the centre of the head, and so forth. There was a nice wide range of tones available, so I felt happy with my gear choice. Ditching a lot of the gear has made me more appreciative of the massive range of sounds I already have in only a very small sub-set of the kit, because when I need a new sound I actually have to work to find it instead of just reaching for another tom, cymbal or snare. So I've taken to adjusting my rimshots to different striking positions to get different tones, hitting my toms in the edge, the centre, rimshots, mashing the stick into the head, muting the head with the other stick, etc etc. My feeling is that it's quite hard to find the time to explore this kind of stuff comprehensively on a big kit as the more you do it the more the possibilities expand exponentially for each exercise. That was why I disagreed that you can't "Play big" on a small kit. Joey Baron does, he gets a huge range of sounds out of a 4pc with two cymbals. While I'd argue that in terms of technique Mike Portnoy plays very "small" on his big kit - each piece of gear is just used to get a single sound most of the time. |
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#28
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Like the great Elvin Jones said, "Less is more"
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#29
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finnhiggins, it sounds like you're arguing with something that I never said. If you personally get confused by too many drums, or if a large kit causes you to see each drum as only having one basic sound, then by all means you should stay away from big kits. Meanwhile, I'll be having a blast playing in a more musical way than is possible on a small kit.
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#30
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In theory, that's true. In the same way that a jazz trio has less options and musicality than a full orchestra - quite simply, the orchestra does have more raw sounds available. But the difference there is that an orchestra actually has more people to play those sounds and dedicate time to practicing control over them. If you took the three guys from your jazz trio and told them to learn to play every instrument in an orchestra they quite simply won't have the time to make it worthwhile, even though they technically could perform at least a subset of the music an orchestra could play by running around and picking different instruments up. I think your problem here stems from the fact that you consider a drum kit a single musical instrument. It's not. It's an amalgam of a number of different musical instruments, all of which can be studied individually as well as combined. Therefore it is natural and indeed obvious that the more instruments you decide to study, the less time you have in each day to study the nuances and details of each instrument. If you go far enough you dilute yourself so far that it's unlikely you'll develop any musicality at all on any of the instruments. Take how a typical professional drummer plays toms - a very flexible instrument - and compare it to how a good Brazillian percussionist can play a tamborine. Drummer - "Whack", moves to next sound surface. Percussionist - a whole musical part with tone, texture and multiple overlaid sounds. The limitations of just playing just a tamborine does not result in less options or less musicality, it results in more focus on the single instrument providing those qualities in approximately the same quantity by means of control rather than variation. So since you, as a human being, are limited in the amount of time you can devote to your kit then it follows quite simply and logically that you are distracted by the amount of gear you have. If you have only one drum and that was all you practiced you'd be much better at playing that one drum than somebody who spends the same amount practicing on a 15pc kit with 25 cymbals would be on any given one of their sound surfaces. You'd actually be able to play musical accompaniment on one drum. You would learn to play open and muted strokes. To gain different tones of accent, different styles of ghosting, to control note length. If you expand that up to even a 4pc drum kit then finding the time to do all of that becomes exponentially harder, because you have to bring in elements of co-ordination and movement around the centre line of your body. That doesn't mean that playing one drum makes you more musical or gives you more options, but the converse isn't true either. It is an obvious truth in music that the more instruments you play, the less time you have to dedicate to learning to play one in particular. If you think that's my problem alone then I'd have to question how much you've considered the subject. A bigger kit doesn't equal more options and more musicality. More practice, study, thought and talent does. The size of your kit is entirely up to you, but if you don't practice then you won't get those options or that musicality regardless of what you play. So when you play musically on your big kit you are not playing more musically than is possible on a small one. You're just playing more musically than it is possible for you to play on a small one. I don't think you have the right to make blanket statements like that. Which is why I said I was "Calling" you on that point. |
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#31
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*shrug*
So stick to a small kit. =-)
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#32
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After all, I can't be entirely on the small kit side of the fence, can I? My kit is effectively two small ones, plus some electronics. Therefore I'm obviously making the same compromise in terms of time, I just couldn't restrain my "more gear!" impulses any further :) |
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#33
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I think it's pretty simple...If you have a 4 peice setup with a few cymbals you are not going to have the same possibilities as someone with a 8 peice setup with alot of cymbals woodblocks, octobans, etc...
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#34
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I think it's just a trend. In the eighty's the gigantic kits were in with big toms (for e.g. van halen), now small fusion kits are in. You even see Lars Ulrich lpaying with a smaller drum.
Ok, it's not only a metter of trends, but, their is a lot of truth in it. :-) |
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#35
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Over the last couple of months I've seen a few bands live and the drummers had these monster kits. Upon actually watching them, they barely used half of the stuff they had on stage? On here I've seen some absolute beautiful drumsets with a wide range of accessories and some that just had an awful lot of stuff to play. When I first started I had the three different cowbells set-up, the wooden blocks, timbales, roto toms, electronic drum pads etc... Then I realized I maybe used them on 5 of the songs, out of the 36 songs we did those nights. So I started scaling back my stuff to what was necessary.
So my question is do you really use all of the stuff you have if your gigging or just playing alone in your basement? I know the pros mostly do. I was more wondering if the average drummer does? I know as drummers we have it great because we can add so much stuff to our kits, that guitarist can't...lol but it can become overwhelming and it stunk always being the last one to leave, besides our sound guy to pack up all the stuff I carried. I hadn't really see a question like this on the forum so, I'm just trying to stimulate some more discussion. |
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#36
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Someone once told me that it doesn't matter how big your kit is but it's how well you play it that counts. He said a good drummer doesn't need a lot of drums or gadgets to sound good. The person who told me this was none other than Levon Helm (one of my idols).
__________________
"I drum, therefore I'm cool" |
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#37
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It is true that the drumsets with 20 cymbals, 30 toms etc... are ridiculous! It is mostly for the show, for the visual aspect of it.
My drumset is the basic drumset. A bass drum, a snare drum, two toms and a floor tom. Added to that is 1 ride cymbal and 1 crash one. I sometimes add a thick crash ride that I love. The enormous drum sets are fun but the drummers rarely use all of the cymbals and toms. When you watch Buddy Rich or allt eh important drummers, rarely do they have 1000000000000000000000 cybals and toms!!!
__________________
AuRéLiEnPk Buddy Rich is my hero ! ;-) |
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#38
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Yes I would listen to Buddy on his 4 or 5 piece kit anyday over Bozzio and his 35 piece kit...LOL |
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#39
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That's for sure!!
__________________
AuRéLiEnPk Buddy Rich is my hero ! ;-) |
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#40
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I only take what I feel I need to pull off whatever style of music the gig is.
In general, though, I'd rather have lots of cymbals than lots of drums. For a simple rock gig I might only bring a 4-piece kit, but it'll have ride, hats, 3 crashes and a china. |
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