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#321
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#322
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Yes, there might be better drummers technically speaking nowadays. There might be better/faster drummers (you know, they use double bass technique and such thing...), they might have better chops, but there's one reason for me to always, and I mean always turn automatically back to those Buddy videos... there's no video I see the most than that "channel one" video on here... that's sooo beautiful... the dynamics, the acents he put so delicate to the notes... the sheer creativity and spontaneous combinations and the order he gave to each sequence of notes and the conjunction of the whole thing put together... the total stick control, hiper fast hands, amazing, and I really mean AMAZING cymbal work, there's nothing better than it. Nothing. No pure-chops guy can make me wanna see his videos every single day of my life, and that's exactly the kind of "full-realised-pleasure" I only get when viewing/witnessing/listening to Mr. Buddy Rich. And he did all that with just a simple, basic/classic 9-piece (or something as small) kit...
I'm kind of a newbie to the real quality drummers (not much time has passed since I've discovered guys like Vinnie Colaiuta and Buddy Rich, but I'm really glad I did. They've changed my life forEVER... now I can apreciate the drums exactly (or even more) like I do when listening/watching to a a violin virtuose, the drums can transmit so many distinct sounds and feelings when on the right hands, they really amaze me "now" (more than ever). Thank you, Mr. Buddy Rich. As much cheezy and corny as it may sound. Indeed. - Ivo. |
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#323
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I definitively think: they acted playback in the movie to a given music....fits more for pop, not jazz imo... Bernhard |
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#324
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You're right Bernhard, I must not have been paying much much attention. For me it's still cool to see all those guys.
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#325
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- Ivo. |
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#326
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Many of the threads in this topic suffer from two types of posters: those who bash, and those who give greatly inflated praise. Keep it real. Show respect for the real man, not the fairy tale. Fan-boys do their idols a disservice by praising them beyond their actual abilities. That's the whole point of the Chuck Norris jokes: they are only funny because they are ridiculous exaggerations of someone's abilities. (and no, that wasn't an invitation for anyone to post their favorite Chuck Norris joke!)
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#327
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- Ivo. Last edited by CadaveR (Ivo); 04-07-2006 at 05:47 AM. |
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#328
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#329
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WOW I JUST REALIZED! he used paiste cymbals.
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"If they tell you no pain no gain... shoot them." -Jim Chapin |
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#330
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#331
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__________________
"If they tell you no pain no gain... shoot them." -Jim Chapin |
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#332
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Haha, I heard that he had to pay people to play for them.
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4 and a half years of playing, and my toms still angle. Wanna fight about it? |
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#333
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no doubt the old guys like buddy rich, gene krupa and even brian bennet plays some exellent stuff.. just saw the drum solo from buddy rich.. not bad for a old timer
what i miss from these guys.. is more drums!!! the more drums the merrier i like the sound of 6 inch toms then a sudden roll down to the 13 - 16 .. and so on.. Last edited by infernal drummer; 04-29-2006 at 02:49 PM. |
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#334
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no.no. no. no. no. buddy rich played jazz, not metal....
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#335
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im pretty sure that every drummer no matter what style or type of music they play could add more drums :D IF they feel like it
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#336
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If you really like lightning-fast drums, I really suggest you to check out there three videos of Buddy below: http://www.drummerworld.com/Videos/b...ticktrick.html http://www.drummerworld.com/Videos/buddyrich1970.html http://www.drummerworld.com/Videos/buddyrich1978.html ...and check them out carefully. They're worth it. I promise. Technique, phrasing, precision, speed, swing, control, clarity, dynamics, accents, creativity, innovations, style, dexterity, ambidextry, raw talent and a left hand and a sense of showmanship all put together like NO ONE ELSE. : ) Maybe a "little" unrealistic, but simply realistic, as much as it is difficult to believe. Enjoy. Last edited by CadaveR (Ivo); 04-30-2006 at 02:54 AM. |
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#337
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#338
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he really knew what the audience wanted. a jazz fanbase may appreciate rudiments, but they won't want to sit through buddy rich playing every rudiment to death. instead he kept it fast, lively and fun.
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#339
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yeah i have seen all the videos from him.. and yes i am kidding when i say "not bad for an old timer" :D .. i could never play as fast as him..
ppl can learn from all the old timers. listen to drum solo from brian bennet.. the litle b .. that is also some exellent stuff.. for metal (speedmetal) i like mickey dee (check out the helloween album "rabbit dont come easy" and ppl will know the word speed hehe) and uli kusch.. none the less.. ill still say the more drums.. the better the sounds ppl can make. if they know how to use them. i have no doubt that gene or buddy could have.. p.s. im not talking mike portnoy drumkit .. just a couple of 6" and 8" .. Last edited by infernal drummer; 04-30-2006 at 02:37 PM. |
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#340
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#341
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I'am looking for the video in which Buddy originately did this. Is it on Drummerworld ? If so where ?
Thanks |
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#342
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#343
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#344
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Yes The first one in Drummerworld where buddy does it
Thanks John |
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#345
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Hi everybody,
I'm a lifelong drummer, (since 1964) and was hugely influenced by Buddy Rich, as many of us were. I've also traded links with Bernhard since around 2000, and am a big DrummerWorld fan. I've been compiling previously unpublished concert clips of Buddy and his bands, contributed by drummer friends and me, and am hosting them (free to download, of course) on my site at http://www.mikejamesjazz.com/br_clips.html (previously NextCraft™) If you have unpublished audio clips, video clips, or photos that you would like to share with other drummers, please email me, and I will happily host them. This is a completely non-profit venture. I host the files for free, properly crediting the source they came from, and make no money of any kind from that. It's just sharing great music with others. I encourage those of you who have these things "in your closet" to consider allowing the rest of us to hear and see them. Enjoy!
__________________
- Mike James http://www.mikejamesjazz.com (Free book download, "Drumming for Life") |
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#346
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D@mn. It really never gets old how amazing he really was. The single stroke roll near the end was one of the best parts.
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#347
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Great Site!
Thanks for this added collection of Buddy Rich Material. I know I speak for many people when I say that we can never get enough! I was wondering if there is any unpublished video clips of Buddy still out there and whether or not it could get on your site. |
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#348
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Yes Mike James - great
I know, I must also update your links....will do..... Bernhard |
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#349
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My pleasure to share this with all of you. I just hate to think of how much great music there is like this of Buddy and other artists, that we will never hear.
On Cathy's BR site forum, ( http://www.buddyrich.com ) I've offered to host video too, if anyone contributes some that won't get me in legal trouble. Of course, that invitation goes for all viewers here, too. I have plenty of space for hosting, and I do web design, so I can post whatever comes in almost immediately. Regardless, thank you for visiting! And Bernhard, You have created the best drum-related site on the planet! Keep up the tremendous work, and I appreciate the link update when you have time. Drummerworld is first class. Take care, everybody.
__________________
- Mike James http://www.mikejamesjazz.com (Free book download, "Drumming for Life") |
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#350
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For me, Rich was the greatest drummer even, and bonzo too, i think if we could make a time machine and put them side by side in a drum battle, we have a very rare style drum battle, ver interesting and rare!!!!!
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Organochloride |
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#351
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#352
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As to Buddy's comment, for him to even take notioce of Bonham and know who he was, that surely shows that Buddy has some respect for the man.
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last orders......remember the name... Last edited by chris--byrne; 05-14-2006 at 02:14 PM. |
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#353
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If Buddy Rich and John Bonham had a drum battle, John Bonham would get his nuts handed to him.
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#354
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i think the arguement is a moot point. we will never know...and they were different styles.
btw, bonham and moon were friends and 'going down like a lead balloon is a compliment. when a gig goes down it means it is going well. git down ya'll. kieth could see the ingredients were all there for a super group....he knew they would be a sensation. j |
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#355
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Getting the Buddy Rich sound? For some strange reason I love the sound of his toms, even though they sound quite flat sometimes..
Anyone know what gets the buddy rich sound?
__________________
Percussion like never before. http://www.inflash.com/list/x.php?en...1&link_id=8192 |
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#356
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"Going down like a lead balloon" is most certainly NOT a compliment!
Having done many gigs that have gone that way I know! |
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#357
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i beg to differ. the slang in the midlands of england circa 1970...going down meant it was going well...think of swallowing a pill or drinking a pint... it's going down. just like heavy and phat are compliments these days too.
according to all sources i've come across kieth admired bonzo and they were mates. j |
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#358
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#359
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Buddy Rich was arguably known as the greatest drummer of all time...kind of like Xerox being the king of copiers, if you know what I mean...but what made Bonham extra cool was that NOBODY got a sound like him. I think Buddy may have copped the groove that Bonham did but he sure wouldn't have copped the sound. Could you hear Buddy playing "When the levee breaks' and it sounding as powerful as Bonzo? Probably not...Just my opinion...
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#360
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A few prerequisites...
Buddy used drums made differently than they're made today. (fewer, thicker plies, and usually maple) Also, the vintage drums I've played (like "Radio Kings") have slightly larger diameters, so there's less of that modern "ka-wang!" overly-resonant sound. He used white coated Remo "Diplomat" heads mostly. To my ears, almost any drum set sounds a lot better in a big concert hall. (where we typically heard Buddy) Buddy typically carried a piece of 1/2" plywood with the band, on which the drums were always set up. (no carpet) And of course, his awesome technique made the biggest difference in the sound. But anyway... i've heard Buddy play drums tensioned in a variety of ways, and have even followed equipment trucks back to the music store, when a local store provided drums for certain concerts, and tapped on them myself, using a pitch pipe as a reference. I would say that this was a waste of time. Buddy was a "normal" drummer, in that he didn't spend hours sitting at the set with a drum key in his hand. If the drums sounded "good", or even "ok", Buddy could kick a band and thrill us with the sound. He may have been a little more finicky during recording dates, but I can't even guarantee that, since the drums vary (quite a bit, sometimes) from one album to another. Buddy typically tensioned his drums a little tighter than most people would think. Using pitch as an example for the top head tension: snare: a to c - (bottom head about a 4th to a 6th higher, say E to F# - (Toms, both heads the same) 9X13: d - 16X16(1) g - 16X16(2) c - Bass drum: a to c Important... Buddy often did not touch the drums for long periods of time. So, especially using "Diplomat" heads, the top head pitch would naturally go down, over time. There are recordings of Buddy where the drums are obviously loose, but still tensioned to about the same (5th) intervals. The pitch is NOT important... In fact, I'd say that you really don't want the pitch to be heard, because it can interfere with the music. It's just a combination of high, medium, and low tones, brought to life by a drummer who really knew how to play emotionally.
__________________
- Mike James http://www.mikejamesjazz.com (Free book download, "Drumming for Life") |
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