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#201
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#202
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For me, the "heel/toe" method is really Steve Smith's "constant release" technique. I really think it's different things for different people, and it depends on the size of your foot. For me, since I have long feet, it's dropping the heel with the leg (the heel doesn't actually make much contact with the board, but more of the plate at the end... so it's more of a "full foot" stroke) and then playing a heel up stroke with the toes. You just have to experiment, but it's very important to start SLOWLY... and with the metronome. Once I started to get it, I realized that this is the most exciting thing ever for my feet. It adds so much of a solid and smooth quality to your playing to accent the first note of doubles, triple strokes and even longer phrases of notes. |
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#203
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i do the same thing you do JWM but i dont think thats technically heel toe..but it works!
=] |
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#204
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But Tim Waterson seems to describe his heel/toe as a "constant release" thing, even going so far as to say that his entire heel isn't even on the board. For me, heel/toe is more of a motion than anything. But it's really a wonderful technique that is expanding the musicality of the bass drum! |
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#205
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definately
twenty... |
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#206
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maybe a lot of Iron Maiden can help just try to keep up with Nicko and results must show
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#207
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There seem to be two different "Heel-toe" methods.
One is the Gadd, Steve Smith "constant release " thing. The other is the heel toe double stroke a la Chris Adler. Tim Waterson seems to do this when he's going for high-speed doubles. Can anyone shed some more light on this? Are they really two different techniques or are they just variations of the same thing?
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Man, you wouldn't believe the most amazing things that can come from some terrible nights... |
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#208
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yea thanks I've found a way, But yea i think theres a difference between Heel toe and constant release. I think of heel toe more of a rocking motion and constant release dosen't really have a rocking motion. But thanks for all the help
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My name is Shaun and I've been playing the drums for two years. |
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#209
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I put together a simple demo video of this a few years back... but can't seem to find it on my PC anymore. Basically... I use heel-pad-toe to produce a triplet pattern. Never bothered to get it very solid (as I didn't use it in a musical context), but it definately had some promise.
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Rick Kettner [ Yamaha RCs | Zildjian A Customs ] |
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#210
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__________________
Rick Kettner [ Yamaha RCs | Zildjian A Customs ] |
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#211
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Yeah I can do everything jo jo mayer can do in that little video he has here on drummerworld and I can say that even when using a double pedal my heels are pretty much hitting that bottom. The heel does pretty much all of the work and the toes are just a natural reaction that is actually unnoticebly done.
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#212
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#213
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Hey everybody
Derek Pope (THe Technique expert ) and I have been talking...OH NO....LOL we are both getting emails and aparently some drummers are still confused about how to do heel toe if your foot is a bit bigger? here is a quick clip showing my demonstration hope this helps to clear up the confusion. http://www.youtube.com/watch?v=hoPv1oM6vZM Tim
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God Bless Tim Waterson Axis Ambassador www.timwaterson.net http://timwaterson.blogspot.com/ |
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#214
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Great stuff, Tim! I hope this will finally clear out all these ''my feet are too big, I can't do the heel-toe!!!!''
This should be a sticky thread |
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#215
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Tim--
Thanks so much for that bro! Really fantastic explanation. Pope's is obviously a really great explanation too, but I got more from yours, especially since you talked a little about Virgil's toe tapping (he seems to really use that for the inverted doubles). I'm feeling a real sense of perspective now about the feet. Thanks much for your contributions. You're a gift man. BTW, nice bare foot. Makes me think of that line from Pulp Fiction, "Would you ever consider giving a guy a foot massage?" Who wouldn't want to massage Tim's feet? |
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#216
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sadly i dont but would I need anyway? Just a camera that can upload things on to the computer? Srry Im not the most knowledgeable on this kind of stuff.
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#217
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__________________
Man, you wouldn't believe the most amazing things that can come from some terrible nights... |
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#218
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Great but vid as always but can you still do the same thing without an Axis pedal?
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#219
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#220
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try sliding the first two beats and then using your heel on the third beat of the triplet.
I don't use the heel/toe because my foots too big so if this doesn't work I'm sorry. |
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#221
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#222
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#223
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I think beween yours and my clips drummers should have a better understanding about heel and toe.I always refer drummers to your clips as well.. Do you think my boots were BIG enough? LOL I also started on other pedals I first tried heel toe probably by accident on a Ghost pedal or speed king I believe and then a drummer reintroduced the method to me in the early 80s and I was using the OLD grey pearl chain drive at the time. Tim
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God Bless Tim Waterson Axis Ambassador www.timwaterson.net http://timwaterson.blogspot.com/ |
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#224
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I sometimes can't believe the LACK of ego displayed here by everyone...
I am so proud to be a drummer right now. |
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#225
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I think Tim needs his own sticky thread. :P I'll be sure to check out your dvd when it comes out.
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#226
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We're ALL on the path, right? Not that Tim isn't amazing though! |
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#227
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This is all fine and all but i think most people want to see how you do it with a big shoe on a NON-AXIS pedal.
thx |
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#228
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What's the difference? He just explained how to do it. If you don't have a great pedal like that, then practice and build your chops instead of letting the pedal do all the work.
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"If you gotta ask,man, you'll never know." |
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#229
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[quote=Martal]This is all fine and all but i think most people want to see how you do it with a big shoe on a NON-AXIS pedal.
thx[/QUote. I am AXIS's #1 Ambassador, why would I want to demo other pedals?.LOL Tim
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God Bless Tim Waterson Axis Ambassador www.timwaterson.net http://timwaterson.blogspot.com/ |
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#230
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Then whats the point of posting the video in the first place? |
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#231
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Tim
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God Bless Tim Waterson Axis Ambassador www.timwaterson.net http://timwaterson.blogspot.com/ |
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#232
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Come on guys, Tim's doing you all a favour. Seriously. He's already said it's possible on all pedals and I for one believe him. If you don't like the fact that he uses Axis then don't rag on him about it. He's done a hell of a lot for our community...
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#233
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To teach people who want to learn. Don't mind the pedal, watch his feet, that's the whole point.
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"If you gotta ask,man, you'll never know." |
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#234
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Technique is just technique, as long as the pedal is decent quality and woks as a bass drum pedal should it's fine for heel-toe |
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#235
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Thank you! Someone with a brain!
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"If you gotta ask,man, you'll never know." |
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#236
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My toesies get shreddied up on the chain from time to time, when I do heel-toe.
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#237
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I started doing the heel-toe naturally, but I have size 13 feet, so I started hitting the end or the chain (sometimes). I thought I was doing it wrong! It feels kinda weird and I can't sustain it like crazy Jojo Mayer can but the best i can do is squeeze out a 4-stroke ruff (I do the 1+ a 2 as a triplet). I can also play that crazy triplet pattern on the kick that he does in one of the videos. I had to take the toe guard off the top of my Pearl P-1002 pedal because I wasn't able to properly execute the technique. So many problems.....I then started using the slave pedal to get what I needed.
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http://www.lurkingrecords.com |
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#238
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I was just saying that people want to see it done on NON-Axis pedals,as evidenced by previous posts in Tim's threads |
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#239
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#240
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Anyway: I recently tried the heel toe technique based upon Tim Waterson's short demo. Despite my first thoughts about this technique, I found the motion very easy, and it is quite easy to practice. However, I have to practice cleaning up the notes, as they become slurred and often turn into flam patterns. I mainly use this technique for triplets with my right foot (mainly Zeppelin tunes). - Marc
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Passion is poison laced with pleasure, bittersweet. One of many faces, that hides deep beneath. |
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