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#1
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How fast can you do triplets, eight notes and sixteenth notes with each hand. Remember they have to be evenly spaced, same volume and play the accent on the quarter notes. Imo i have a bit of speed not much average for how long ive been learning i spose, but u have to stay really relaxed the whole time. Oh and you have to hold it going constant for 1min. Try it see how fast you can get, but remeber the main factors. Evenly spaced Same volume Accented quarters Stay relaxed 1min Also i tried to have it so the sub-division notes where played as soft as i could which loses some speed but gets them sounding perfect! Heres my first go at it. Constant 1min Speed Top Speed (Could only hold for 10sec) Right hand Eigths 165 BPM 195 BPM Left Hand Eights 160 BPM 165 BPM Right Hand Triplets 120 BMP 135 BPM Left hand Triplets 115 BPM 135 BPM Right Hand Sixteenth 90 BPM 100 BPM Laft Hand Sixteenth 90 BPM 100 BPM Don't cheat either cause ur only cheating urself. Well i did type it out as 2 columbs but it wont work so the left columb is my constant speed for a minute and the 2nd is my top speed which i could only hold for 10 sec. And when recording ur top speed u have to hold it 4 10sec. |
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#2
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You're not talking about music, but just about physical performance... :'-(
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#3
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are you playing them all even, or accenting 1, 2,3 and 4. I know its not musical, but it just might be fun to see where everyone else is at?
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#4
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Jo jo mayer has an incredible left hand, Ringo Starr is a lefty too
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#5
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And this improves your endurance and stamina. And i am playing them all even but im accenting on the quarter notes. So example 1 + a 2 + a 3 + a 4 + a 1 e + a 2 e + a 3 e + a 4 e + a And so on. But this also works on the accurcy of the spreading of your notes. But i mainly practice them of say setting the metronome at 115 then do alternating bars of triplets. So 1 bar with right hand then one with the left and so on. Thats how i normally do them. Last edited by Latin Groover; 12-29-2005 at 07:29 AM. |
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#6
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Your speed is good, just need to strengthen the syntax, punctuation and grammar.
In the interests of fair play we would need to post video evidence of performances, no? |
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#7
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Ha i have no idea wat syntax is but im sure ull tell me.
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#8
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I'll not deign to respond to the pretentious phrasing of your second sentence.
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze Last edited by DogBreath; 12-29-2005 at 08:24 AM. Reason: Grammar Hammer |
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#9
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HAHAHAHAHAHAHAHAHAHAHA
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#10
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Grammar hammer! lol
Here are triplets at over 200 bpm with the left hand. I am more than half way here lol http://www.artverdi.com/video/triplets214.wmv |
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#11
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Right hand 120 BPM sixteens for 1 min
Left hand 115 BPM sixateens for 1 min Just kidding. :o) But I am aimig for something like that. So I hope that in few years I will achieve the goals. |
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#12
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Hehehe- fair play DB, at least it was understandable on the first take (smiley here). The first post took a few attempts.
As for the second sentence, pretension was never my intention - Latin Groover's idea could be fun. I've never seen people post video's of their playing outside of the Your Place section. Would we be allowed to post videos in a thread like this? Bosh. Sorted. |
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| Latin Groover |
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This message has been deleted by Latin Groover.
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#13
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dats coz knot evry won here is a first language inglish speakers. we does your best.
j |
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#14
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LOL. Coming along nicely NJ, just need a few more lessons.
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#15
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LatinGroover - syntax is about rules of word combination in forming grammatically correct sentences. Apologies for my earlier post, it was late when i read it and i was getting boggly eyed. I'll post my scores up tomorrow. peace
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#16
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My Left Hand Isn't The Quickest! I Need To Work On It!!!
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#17
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Not fast enough but i can finally do a grincore blast beat with my left hand riding!!!
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#18
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I'm not entirely sure how fast my left hand is, but it should be pretty fast seeing as I only use my left hand to play. I'm not left handed, or have lost my right hand or anything, I just think that it is 'cheating' to use both hands, like it is cheating to use double bass. If you only use one hand, in the end you should be a pretty good player. I don't use double bass either, and like my screen-name suggests, I play a lot of math and tech metal, and get by fine. By the way, doesn't it sometimes get to you that there is so much you will never be able to do in drumming...for example, play at the speed of light with one finger, or play along to an infinate number of completely different songs at different tempo's and time signatures and tuplet values, at the same time. You will never be able to play more than 4 different things at once without using electronics because you only have 4 limbs, or play so fast on the bass drum (even with double bass) that all your hits blend together to make a note of a definate pitch and you can play actual melodies on your bass drum (or any drum). You will never be able to even play a groove in exact timing, so you snare lands within the nano-micro-whatever second, right where it is meant to. The ultimate aim of any drummer should be to be able to control time itself, and it is something we will probably never achieve, so what is the point?
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#19
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#20
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The rest I just don't agree with. How is anything cheating? I could at least follow your toughts if you said using electronics were cheating, but using both hands is cheating? Way beyond me there. Happy New Year! DPS
__________________
www.casperpaludan.com http://youtu.be/XCf3x1w2Qnw Cutting Room, NYC, Thursday 4/26 8PM |
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| Latin Groover |
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This message has been deleted by Latin Groover.
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#21
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Quote:
__________________
www.casperpaludan.com http://youtu.be/XCf3x1w2Qnw Cutting Room, NYC, Thursday 4/26 8PM |
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#22
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If you're talking about 16 on a hand (alternating 1 bar of 16th notes per hand), I can play up to 116 left and 112 right with the Gladstone method. With the Moeller method I can get up to about 120 with each hand. Danny Gottlieb said in Modern Drummer that he does that exercise for 1/2 hour each day as a warm up at 170bpm. :o If you're talking about 12 on a hand (1 bar of 8th note triplets), I can get up to about 152/144 with the Gladstone method, and a little faster with the Moeller method. Last edited by Henry II; 12-31-2005 at 08:46 AM. |
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#23
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Quote:
__________________
. My kit: Pacific wood, Evans oil, Zildjian bronze |
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#24
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WoW! Dogbreath, i don't post here all too often.... but your Grammar Hammer is too much to pass up! That's hilarious.... and by the way, my left hand is not as fast.
Grammar Hammer.... that completely made my day... I fear that Grammar Hammer something fierce... Thanks for the good laugh Dogbreath. I love this site! |
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#25
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But surely people could read over their post just to make sure that key words are spelt correctly. Some of the abbreviations that crop up aren't universally understood yet either. Clearly i'm being a complete arse about the whole issue so i'll shut up about it for evermore:)
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#26
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#27
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Just tested myself, without a decent warmup I could do 112 for as long as I wanted. I'd probably get to 116 if I warmed up properly. I'll try again later. I'm just using fingers to do this, really, no Moeller or Gladstone. Maybe I should look into these grips.
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#28
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My left is faster and more endured than my right but im also left handed
__________________
Play strong live long |
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#29
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Just tried accented 8th notes over a minute - LH = 190bpm RH = 185bpm, am left handed, and I found that accenting the downbeats using Moeller made it easier. I tried over a minute without accenting and scores were about 10bpm less on each hand. Will try 16th next.
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#30
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#31
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This was the closest thread I could find.
I'm having a bit of a nightmare tonight (same one as last night). My band are doing a song with a kind of slow groove feel. It sounds best in 16's and I want to play it single handed because it sounds less wooden. Ideally I think it should run at 90 bpm but I can't get beyond 85 bpm (which I could play all night). The bass pattern is a little syncopated (nothing too serious) but it's not helping my hand slip into the groove. I'm practicing at home on my e-kit and the thing that's really pissing me off is that I had it nailed 2 tonights ago - Comfortably - Yet I put 5 hours practice in yesterday and 2 hours tonight and I have regressed. I don't cope very well with regression - I want to burn everything own and the muscle in my upper forearm wishes it belonged to someone else. I suspect a technique problem here - I'm using fingers to get the speed and it's not as though much of the work is coming from the elbow and forearm !!! I wish that something would just click like it usually does when you persist for long enough. I love my drums but they can be a set of complete bastards also (is swearing allowed on here?) |
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#32
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I just want to say there's a clip on this site of Louie Bellson playing sixteenth notes with his right hand (one hand!!) at approximately 174 BPM.
I don't know how this is possible......................... |
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#33
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#34
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most drummers start off with wrists and as the speed gets faster they apply fingers
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#35
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What would you define as "fast/good"?
Felix
__________________
Be versatile |
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#36
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(i'm half disgusted and half HIGHLY interested) You seem to be going for a seriously edgy vibe man, great work. Sucks you can't do double strokes though. As far as my speed goes, I can do low singles at 176 for 5 minutes. Try that on for size, bitchez!* *i'm kidding, even though that's a good number.
__________________
"LET'S MAKE SOME ART!" www.myspace.com/booksteindrums www.myspace.com/neverknowsbestisart |
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#37
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Whoa i totally forgot about this thread, it was ages ago. Anyway 176 16ths for 5mins...and i know how perfect your strokes and technique would be jazzsnob, thats quite a high number how long did it take you to work the 4bpm increaments up to that?
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#38
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About seven years, give or take. But I didn't just start at a tempo and go up in increments, I've done two singles exercises over the years. First I would do a bar of eighths and a bar of 16ths, all while keeping it even and low. It took me about 4 years to get that to 208 or whatever, then I went back to 112 or so and did straight 16ths, and I've gotten to 176 after 3 years. I've been working at 176 for 3 months and I probably have three months before I even think about 184.
__________________
"LET'S MAKE SOME ART!" www.myspace.com/booksteindrums www.myspace.com/neverknowsbestisart |
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#39
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Great job i wish i can as much control as you have, i do that exercise too. I do a bar of 8ths then 16ths. And also other variations on it. Like 2notes of 8ths then 2notes of 16ths etc. All while keeping low, relaxed and even. Although its getting a bit hard now cause i need some new 7As, cause my tips are starting to sound uneven on the pad, ha i really need new sticks. While im on this. 'Pitch paired' sticks my @ss, Vic Firth are no where near pitch paired, i have a pair of Rock sticks that i sometimes use on the pad, and its like hitting 2 different pads! No stick is ever pitch paired though (that ive had) they come close but there is always that miunte ppitch difference you can pick up on the pad, but Vic Firth are the furthest away from pitch paired IMO...and its their motto
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#40
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Dave Weckl actually has an excercise for finger control where you have to play 4 series of 8th note triplets with out stopping for 10x each starting with the right hand.
I start out at 130 and work my way up to 160bpm. The great thing about this excercise is that it will build your speed and endurance. You play each excercise 10x one right into the next. After you get finished the first series you rest for about 30 seconds, move the tempo marking on the metronome up and start up again. You play these with no dynamics or accents. The third set of triplets are in 3/4 quarter time.The excercise looks like this: I count the triplets 1 T L , 2 T L , 3 T L, 4 T L RRR, LLL, RRR, LLL RRR, RRR, LLL, LLL RRR, RRR, RRR, LLL, LLL, LLL 3/4 time RRR, RRR, RRR, RRR, LLL, LLL, LLL, LLL This whole excercise is based on bounce and controlling the rebound. It will get your left hand moving as well as your right. They have helped me alot. Have a great night everyone. www.anthonyliberto.com |
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