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#441
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__________________
My style is impetuous. My defense impregnable, and I'm just ferocious. |
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#442
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Good Times Bad Times - those broken triplets are a nightmare to get right (unless you cheat and use a double pedal!)
Check out my Led Zep tribute band's clips here
__________________
http://www.facebook.com/fraser.murray.18 |
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#443
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#444
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ooo man....so many great grooves....i kind of like his blues stuff the best...."since ive been loving you" is a simple song to play but it just sticks out to me for some reason....i just love that "bluesey" feel that goes along with that song....and of course on the dvd the Denmark Radio part of the dvd on the first dvd in the clips......communication breakdown.....dazed and confused....babe im gonna leave you.....and how many more times.....just those 4 songs its my favorite on the dvd....sooooo crazy with those fills on dazed and confused.....and even on how many more times....(on how many more times if u notice towards the end where the drums and the guitar comes back in bonham does his fills and starts on the ride and jimmy and john paul just look at each other confused for a second and then they come in and go back into the song.)......and the fill at the end of achilles last stand on the dvd is crazy
but in order my favorite bonham grooves 1. when the levee breaks 2. Since ive been loving you 3. dazed and confused |
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#445
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The tunes I enjoy playing to are:
1. OUT ON THE TILES 2. MISTY MOUNTAIN HOP 3. FOOL IN THE RAIN 4. ACHILLES LAST STAND 5. THE CRUNGE |
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#446
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Man, you Bohnam-ites need to chill. John Bohnam is my favorite rock drummer and in my top ten drummers of all time. That being said, his chops are not insurmountable. Most of his stuff is pretty basic conceptually. He pulls his right foot stuff off cleanly and extremely effectively, and all in a great pocket- I love his drumming. For pure chops, many, many drummers have bested Bonzo. At that time, for example, Tony Williams could probably double his right foot (let's not even talk about the left foot) dexterity. Does that make John Bohnam worse? No way! He's a legendary drummer! His work stands alone despite that people have done better.
What I love about him is his groove- he's got one of the best pockets I can think about. It has been stated earlier in this thread that John Bohnam cannot be analyzed because there are way too many secrets in his drumming. Not so. I've heard some drummers do an awesome John Bohnam impression. I don't think there is any drummer that is stylistically untouchable, except Elvin Jones. I've heard two drummers do a good Elvin impression. Roy Haynes and Ian Froman (who's a teacher out at berklee- incredible player and teacher) could both cop that vibe well- but not exactly like Elvin. Bonzo has been copped many times. He's such an influence, I can't even begin to name some of the drummers. I'll start. Jeff Porcaro, Carlos Vega, Abe Laboriel Jr. , Josh Freese, Simon Phillips and MANY others could do a Bonzo impression very closely. I've never heard them do an intentional Bonzo impression, but I'm positive they could if they wanted. Nearly EVERY good rock drummer in the world today has gone through a John Bohnam worship stage. Every good drummer been checked out and analyzed. Actually, John Bohnam's been analyzed more than any drummer except possibly Steve Gadd or Tony Williams. If you transcribe and listen to enough of a player, you can sound very close to him after a while. If you are dedicated, have the help of a teacher if you need it and if you go through and transcribe the player's body of work in a logical order, and study his influences, you WILL end up sounding like him. You want to sound like Vinnie? Go through the Gary Chaffee books, get great drum-corps hands, transcribe a ton of Tony Williams and Alphonze Mouzon, then get the new Randy Waldman book that'll give you Vinnie exercises and transcriptions. Then go and transcribe all the Zappa, Sting and Karizma stuff. Then, go develop ADD. Then you'll probably sound a lot like Vinnie and people will love you. Five years and thousands of hours of practice later.I can go through a few drummers like this- Tony Williams, Dennis Chambers, Weckl, and so on- I can even go through horn players like this. Want to know how Chris Potter got as good as he did? Go transcribe John Coltrane, Sonny Stitt, Wayne Shorter and Michael Brecker. And so on. You want to be John Bonham? Get a nasty right foot, learn your rudiments, learn to play blues and old school rock extremely well, then transcribe all the beats and fills you like from his performances. None of these guys, except for Buddy Rich or Elvin Jones is untouchable. Buddy because he's a chops virtuoso and Elvin for his concept of time. You can analyze Elvin's solos easily enough- it's his time playing that gets me. Likewise, given very hard study for an endured period of time, you can learn to play exactly like John Bohnam. |
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#447
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theduke 86:
Y E S Bernhard |
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#448
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Of course TheDuke, this all your opinion. With every drummer that has ever been, theres going to be a guy that comes out that is faster, and can imitate them. But what it comes down to is originality. Every solo that has ever been played can be stripped down and imitated, but its the person who created it that needs the credit. A guy whos been playing for a couple of months might be able to play the groove from When the Levee breaks, but it was Bonham who heard the rest of the song and layed it down originally. i know that Bonham didnt have the greatest chops of all time, there may be a few cats that can play Pat's Delight, but its Bonham that created the masterpiece. You say that Elvin Jones cannot be imitated stylistically, how so? i've heard many people lay down a groove that imitates Elvin. You also say that those who have gotten close to Elvin's playing still cant get it exactly. I've yet to hear anyone get Bonhams groove exactly, unless they added effects in the studio. And if anyone does get it exactly, as with any other drummer, it is because they have studied and transcribed their playing, not because they have come up with it themselves. If you studied any drummer for long enough and transcribed their songs note for note, than you can imitate them exactly, even Rich, Jones.
__________________
"Just watch me tonight, I'm gonna totally demolish this drumkit." --The great Bonzo himself |
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#449
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o come on jimmy....u packed the wrong set
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#450
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In respect to Elvin Jones, Elvin Jones is untouchable because of the way he could yank things in and out of time and come back to the beat. He could reef on beats so hard and come right back in on time. I've never heard anyone with the exception of Roy Haynes who is able to play so elastically. Roy can't even do it as well as Elvin. His concept of time is alien- no one has any idea how he thinks about groove or time therefore no one can figure out how he plays the way he does. There are some Elvin things that are very doable- but not most of the more extreme stuff. I haven't heard anyone do the stuff that he does. With Bohnam, or any other great groove drummer, I can understand what they're playing... example "Okay, Bohnam is counting quarter notes and emphasizing 2 and 4 on Rock and Roll". Or, "Okay Bohnam is emphasizing offbeats on Immigrant Song" to name a couple. If you can get the beat and time and feel it like the drummer is, you can play it exactly like him. No one knows what Elvin was thinking. When he played swing he grunted offbeats- you can hear him on some albums doing that loudly. But for the harder stuff, drum scholars are without a clue. As for Buddy, he had an X factor- a once in a generation virtuositic abillity that hasn't been equaled. He is the Mozart, Paganini, Parker or Gould of our instrument- he will not be equaled. Last edited by theduke86; 04-05-2006 at 03:13 AM. |
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#451
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I'm with our man TheDuke. It is entirely possible to imitate Bonham. Here's how you do it:
1) Transcribe enough that you understand his phrasing and approach to orchestration of grooves and fills. 2) Sit down with a sequencer and, by means of looping and programming sequenced drums over the top, work out exactly where Bonham is placing his notes relative to the beat. 3) Work on your tuning and technique. Tune open, hit the drums nice and hard (but without hitting "through the drum") in the centre of the head and use the right drum sizes. Spend time just hitting drums trying to work on your touch, ignoring any issues of what parts you're going to play. If you understand those three attributes of Bonham's playing - his touch/tone, his timing and his part selection - then you're going to be able to imitate it given enough practice, recording and analysis of your own playing. Elvin is considerably more tricky because, as TheDuke86 said, his ability to bend time is as big a part of his feel as his tone or part selection. It's not hard to sit down and work out what Elvin is playing, or how his drums sound. It's virtually impossible to work out a logical "what-would-Elvin-do" formula for his timing, which is what makes him so hard to imitate. |
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#452
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#453
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Thanks Finn and jones....
My one big beef with people is when they are so totally in love with a person they say no one could ever play like him again. Not so. It's easy to see where people come from! Everyone has their influences. Even musical prodigies like Charlie Parker, John Coltrane... One can see clearly that John Coltrane copped Dexter Gordon, Charlie Parker played like Lester Young, a little bit. Even though both were absolute virtuosos and will NEVER be outdone, you can still imitate. There are a few one can't. But I see where these guys are coming from. |
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#454
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#455
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http://www.drummerworld.com/Videos/johnbonhamtech.html
That's a guy doing Bonzo vibe very well who isn't even that well known. Plus he looks quite young! Check out Abe Laboriel- ANYTHING for a huge Bohnam influence. I love how I throw the old reason bug into the debate, give reasons why it's easier to reproduce Bohnam than Elvin or Buddy and then you tell me "No, Bohnam R00LZ0R5 so no one can reproduce it. That video isn't a pure reproduction as I'm sure some would be capable of. One thing's for sure. It's a lot closer to Bohnam than anyone's come to Elvin. Except maybe Froman. Once again, I'm in NO WAY disparaging John Bohnam- I love his drumming. I think his stuff is awesome. I think it's much, much easier to cop the feel than Elvin or Buddy. As is Tony Williams. Or Max Roach. I know where those guys are coming from. I don't know how Elvin came about. Or Buddy. No one knows! This doesn't necessarily make them better- that argument is stupid and I don't want to have it. It makes them much harder to authentically imitate than Bonzo. And imitating Bonzo takes years of study. Concentrated, hard study. But it can be done with the proper methodology and proof. There are a lot of guys who can sound like Bonham clones. Same thing goes for drummers like Gadd, Tony, Weckl, Max. Any of the drummers who have been academized and analyzed can be imitated. There are parts of Elvin Jones' drumming that we will most likely never understand. If anyone finds out the secret to his time playing, please let me know so I can pay you one million dollars for a lesson. Thank you. |
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#456
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Dude, maybe you shoulda converted that solo (or i could do the full version I have the dvd) to just the audio, placed it along real bonham solo recordings, and we coulda played Guess the Bonzo!
__________________
Dreamer easy in the chair that really fits you.
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#457
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__________________
I said hey baby whats goin' on! My mamma been talkin' about boogin' all night long! |
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#458
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All anybody was sayin' anyway was that Bonham stuff could be analyzed and imitated. So can Mel Lewis. So can alot of Gadd. It doesn't mean it's not great. And naw, Its not an opinion that Bonham's music can be imitated. It's fact. Every time I read that, you turn it into your own put down while at the same time, you acuse the other guy of sayin' how he disrespects you. Its nothing but your own code for saying "you're just not cool enough to get it.' Give me a break. I think this is more about how too many Bonham fanatics don't seem to see the existence of ANY other great drummer. I mean you get great explanations of another viewpoint that even then still praises your guy, and all you ever say is "oh yeah" or "prove it to me." Duke and Finn explained it to you with perfect logic. If you disagree prove it to them man. This is a discussion forum, not religious conversion. You know, I used to think how funny it was watchin' these guys like elvin4ever talkin' about the godlike qualities of Buddy Rich. But you know what I see? All those Rich fanatics are all over this forum talkin' like experts on the matters of all drummers not just Buddy Rich. Look Bonham is great for sure. I love his playing too. But come on. |
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#459
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If you can't tell the difference between the real Bonzo and the Immitation than your no Bonham fan. How can you not, even though he can be immitated you can still tell, bonhams always got that certain tone and everytimr you hear him youd feel thunder rudshing through you, but when its an immitator you can tell they tend to play softer or have a much different style.
__________________
I said hey baby whats goin' on! My mamma been talkin' about boogin' all night long! |
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#460
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There is no arguing Bonham's greatness, total class and taste, every song, every lick, and it all holds up today like no other ...amazing how good he was.
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#461
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until i ran into drummerworld i thought i was the biggest bonzo fan around. having read all of the above posts i can put my two cents in here...
NO DRUMMER IS UNTOUCHABLE. they said everest could not be climbed. then some one climbed it and now many people have climbed it. muscles, bones and brains...bonzo had them, elvin had them and i have them...we all do. it is ludicrous to suggest that ANY drummer cannot be emulated, or even far surpassed. if one person can do something, someone somewhere else, some other time will be able to do it and even perhaps do it fractionally better. Edmund hillary climbed the mountain, then others came along and did it faster, better and sometimes even with some sort of handicap. all that remains then is to celebrate the pioneers and their creative spirits. bonzo rules for his own defined set of reasons. so too does elvin and buddy. in my opinion i do not rank these three gentlemen against eachother. i love bonzo's work and respect the other two for theirs. j |
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#462
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Right, they were all different and all inovative in their time. Krupa probably wouldn't have been as effective for Zeppelin, and Bonzo might not have been the entertainer that Krupa was.
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#463
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#464
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Instrumentalists will always be able to get better. Once something is recorded and released then some other person can hear that and expand on it or simply be inspired by it and do something even greater. It's like my opinion on Hendrix. He was (and is) a great guitarist. However, once he recorded and released albums, anyone who had the talent could expand on what he did. Now we have Steve Vai, Joe Satriani, John Petrucci, and a bunch of others who may not actually have similar styles, but were probably influenced by Hendrix even if it was indirectly by someone who was influenced by him.
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#465
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One other thing that doesn't ever seem to get taken into account on these threads: Bonham died at age 32. That's it. His whole career was defined by that age. You can't compare what Elvin Jones (76), Buddy Rich (69), or Tony Williams (51) did in relationship to Bonham, because they played and learned and were inspired by each other for decades longer. Bonham would be around 58 years old today, and I can't even imagine how much more his playing would have evolved in that time. That's why it's silly to make comparisons, unless all things are equal. And they usually aren't.
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#466
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As for the usual, predictable round of "You can't say that about Bonham" / "You guys are so up yourselves" or whatever... come on guys, play the ball, not the man. Bonham was a great drummer, he is one of my favourite rock drummers and indeed one of my favourite drummers of all time. I would not trivialise what he achieved in his (short) career. But he's not, objectively, technically better than a whole load of drummers who were his contemporaries. And his playing is not, objectively, something that is impossible to analyse. If people stopped making stupid claims for Bonham that are well into the realm of hyperbole then I suspect this thread would cool down a lot. |
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#467
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sometimes i get embarassed for the hyperbonzoites.
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#468
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Amen
__________________
http://www.youtube.com/watch?v=XtX_gA_J4_Q |
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#469
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Ok, Bonham is probably my favorite drummer. But I'm not going to come into this discussion with a closed mind. Of course Bonham will always be the grandfather of rock drummers because he was a pioneer. He inspired so many people to become drummers and inspired current drummers in the 70's. These drummers then took his material, studied it, worked it in with their own and expanded their ability. Bonham doesnt have the best chops, i agree with that, and i also agree that he doesnt have the greatest foot speed (great but there are drummers that are faster). But what I'm saying is anyone that studies his work long enough and who has the right amount of skill can mimick or copy a groove that he did, but can they be great enough to CREATE their own lick that surpasses those of Bonhams? Its 10X easier to copy a drum groove rather than to create one yourself (as mentioned in the Buddy rich vs. Bonham thread). Bonhams style of playing had a huge variety in the lines of styles of music. (rock, jazz, blues). He incorporated those styles into his grooves and came up with his own style of playing. No other drummer sounds like Bonham (unless they are trying to copy him). He had his own unique style that hasn't been matched ever sinced (but many have copied). To look at and compare Bonham to Elvin is like comparing apples to oranges. Two completley different drummers and they should be appreactiated both for what they have done to the drumming world and theyre contributions. Elvin contributed greatley to jazz and Bonham contributed greatley to Rock. Its as simple as that. But if someone is going to come on and start saying "oh bonham is such a god...bla bla bla" then this isnt the place for you. These people have never heard someone intelligently critique Bonham before like finnhiggins and theduke have on this thread and to them in theyre mind its totaly wrong because theyve only seen Bonham as a 100% god. Try to be more open minded when it comes to appreaciating drummers and youll expand more in your drumming ability.
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#470
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To me that Jim Roman guy is far from sounding like bonham. Theres such a big difference.
__________________
I said hey baby whats goin' on! My mamma been talkin' about boogin' all night long! |
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#471
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__________________
"Just watch me tonight, I'm gonna totally demolish this drumkit." --The great Bonzo himself |
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#472
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Nutha Jason- Thanks for summing it up so well and eloquently as par usual for you- You will all notice I didn't say it was impossible to be either Elvin or Buddy, just extremely difficult and very, very, very few people have figured it out. Not even ones who have studied said drummer intensely for two decades or more (Froman). I'm sure it can be done by someone though.
I am in no way comparing them to Bonzo in terms of greatness. I have said this numerous times. I don't want to have that argument because it's not fair to either three of them. Apples and oranges and mangos. However, I can compare individual difficulty of learning their styles. I think. I love all three of them. Elvin the most, Bonzo close to that, Buddy Rich a little further down the list. So, I think the hyper-bonzoites perhaps need to chill a little bit and think about this rationally and logically- you'll pretty much realise that I'm right once you do. Edit: bonhamtothemoon- You are DEFINETLY right about that. John Bohnam had a signature sound and style that was unique, original, entertaining and a joy to listen to. It's why I , among MANY others (including yourselves) gravitate to him so much for rock drumming. I don't think I ever called into question his greatness. You shouldn't feel a need to defend him. Just because I said that Elvin and Buddy were harder to imitate doesn't mean that Bohnam isn't awesome too. For another example, Tony Williams, Dennis Chambers and Billy Cobham are easier to imitate than Elvin Jones or Buddy. Elvin for his time concept, Buddy for pure fire. You'll notice my favorite drummer in the whole wide world is Tony Williams. In other words, this is no strike against John Bohnam. In terms of style, look at the company that he's in, in terms of learning difficulty, right? Get what I'm saying? Last edited by DogBreath; 04-05-2006 at 08:37 AM. |
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#473
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get off the computer, put on headphones, crank the volume and listen to your favourite led zep. when you are confronted with THAT drumming you will be reminded how undeniable it is and how little it needs to be defended. j |
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#474
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Man NJ, every time I listen to Fool In The Rain, it does it for me. What a great groove. That ghost note concept developed out of a vacuum. Awesome drumming.
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#475
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for me i pop in the dvd and watch the Denmarks Radio clip....dazed and confused...how many more times...those 2 songs hes such a beast on the drums its crazy |
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#476
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i feel that led zepplin as a band were perfect for each other.
i only just realised just now but imagine if keith moon and john bonham had been in each others band! |
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#477
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#478
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Why can't I view the new John Bonham videos? I can hear the music, but the videos won't play. Any suggestions on what I might do, or is the site just broken?
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#479
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No the site is not broken, you need Quick Time 7 for Windows XP to play the new videos.
Last edited by Fur drummer; 04-08-2006 at 04:47 AM. |
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#480
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videos work fine for me...but i dont need the bonham page for the videos...i got that dvd ;) if you dont have it you should get the dvd....its pretty awesome....maybe because you cant see the videos on the page because you might need to download the latest version of Quicktime.
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