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| Drum Technique Tips - Tricks - Practice - Rudiments - Educational DVDs & Books..... |
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#1
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#2
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No sticks? Make sure you have some around. If not...
* Work on your reading skills. Or prepare interdependence patterns in your mind by visualizing how to play them. * Do some exercise(s), e.g. JoJo Mayer's "power clapping". Doing 100 fast repetitions (each repetition = 8 claps, with an accent on the '1') is... hard! * Slap your hands on your thighs. Apply various rudiments (doubles/drags are hard to do). * Practice polyrhythms (L vs. R side - hands only, hands vs. feet, feet only, switch sides = lots of variations) * Feet: Practice rudiments and/or flams. * Make up music in your mind and "play" it (with or without air drumming) * Practice counting - can be done in combination with pretty much all of the above. * If you have sticks but no pad - play on your thighs (or on anything suitable) or do some stick exercises to strenghten your forearms/fingers |
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#3
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4-Way Coordination: A Method Book for the Development of Complete Independence on the Drum Set
http://www.amazon.ca/4-Way-Coordinat.../dp/0769233708 Ever since I got this book, I've *always* had something to practice without sticks :-) In fact, I probably practice this stuff too much, since you can subtly tap-out most of these exercises in business meetings, at dinner, and other places where you should probably be paying attention to the people around you instead of practicing ;-) |
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#4
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Learn to tap dance with your hands
http://vimeo.com/10144967 The Brazilian percussionist Nana Vasconcellos used to do something similar, so "patting juba" must have come over from Africa (it was certainly around during the days of slavery).
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www.brushbeat.org |
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#5
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not that its anything to practice.....
...but since I was young I have always done this rhythm with my fingers on a table thing.....palm down and thumbs and fingers grooving I have developed this serious strength in my fingers just from this little habit......nothing I was aiming to do of course .....just from this unconscious habit that formed when I was very young and drove all my teachers in school and my dad at the dinner table crazy rest dads soul....I think of him every time I catch myself doing it but I find that I actually use it to work on things on a train, in the van on tour, at a table out at dinner, on my chest while sitting around......has always worked for me...but nothing I ever had to work on ...just was always there from before I can remember you will see guys use this type of thing in drum solos, Joe Morello, Keith Carlock etc.....
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#6
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Ah, tap your hands and feet to music. Anywhere. In the car, on the beach, in a bar, anywhere you are. I actually developed my left foot to play bass drum (I am a righty), by tapping my left foot while I was driving (over many years). And using hands to tap on drivers wheel and thighs. Amazing how much coordination you can develop by driving a car and drumming to the music. No drums need apply! But don't try this at home! Hahahaha.
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#7
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I never did it personally but Gavin Harrison has some exercises for singing rhythms while clapping/tapping. These are on the Rhythmic Horizons dvd.
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My Saturns |
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#8
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I do various polyrhythm combinations with my hands, 4 limb tapping, and various finger strengthening/speed exercises.
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#9
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Counting. I will listen to the radio and count out loud in my head.
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#10
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i work the part through in my mind, air drumming as i do. i air drum on a full kit, often employing the left side floor tom that i don't have (yet).
just beating on stuff is not a thrill for me. it's about the sticks in my hands-even if it's just air drumming. the only time beating on random stuff thrills me is if it sounds good. at which point i try to figure out how i would mic it. then i walk away quickly after a few taps (and far away trances into space) lest peoples think i'm crazy.
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The Most Beautiful Words In The English Language Are: We Might Could. |
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