drumhammerer
Silver Member
I feel ya on this. It is the way of metal productions these days in that the guitar sound has gotten denser and denser+ louder in the mix, so it's much harder to get the drums to cut. I frankly gave up on getting a natural drum sound on a metal recording years ago, as it just won't cut in the mix. I'd rather have it heard than not at all. Interestingly enough, I did some metal recordings with a singer/guitarist who is into natural sounds, but we tried that and the drums did have to be too loud in the mix to cut with the punchier kick sound, so we both agreed to just eq it and go with audibility/even sound over low end. Didn't need triggers though, although you have to know what you're doing to get a cutting sound with just eq.
I've noticed another trend with metal recordings in that you can barely hear the cymbals any more. I did a recording a couple of years ago where you could only hear the china. But, I was curious so I went and checked out some newer metal albums, and sure enough, that seems to be the trend at the moment. Luckily with this newer one this dude doesn't care about trends, and we got some sweet cymbal sounds. So, really it's all about who you work with in the end.
I've noticed another trend with metal recordings in that you can barely hear the cymbals any more. I did a recording a couple of years ago where you could only hear the china. But, I was curious so I went and checked out some newer metal albums, and sure enough, that seems to be the trend at the moment. Luckily with this newer one this dude doesn't care about trends, and we got some sweet cymbal sounds. So, really it's all about who you work with in the end.