alparrott
Diamond Member
So, spurred on by an errant thought I had earlier in the week concerning theater/pit setups and my general love for 1-up, 2-down setups, I went out in the practice space today and jury-rigged my 20" Stage Custom kick to serve as a 20" floor tom alongside my Standards.
Miked up, it doesn't sound too bad. If I had had unlimited head choices at my disposal, I would have put a G1/Ambassador weight head on the bottom/front/reso and a G2/Emperor on the top/batter. But All I had was a clear EQ3 batter, front and back. So to hear the drum, even with nothing in it and tuned medium tension, it's thuddy and has little sustain next to my 3-ply Ludwig FT on Pearl air suspension feet. But again, miked up it gives this growly little subwoofer-type note. With mallets, it sounds like a cannon shot.
To get it suspended FT-style, I used a Pearl 7/8" arm to connect the tom mounting plate to a tripod using a regular old multi-clamp. I swiveled the legs to stick directly forward of the reso head, and together we have a pretty even tripod effect. I have noticed no stability issues, even whacking it like it owed me money.
If I need to do a concert bass drum sound at the next show, I will invest in some less muffled heads to get a boomier, more open sound -- I might just do that anyways, to make it sound more floor tom-y and less rock kick-y.
So the moral of the story is, you too can have a gong bass drum or similar effect for very little effort.
Miked up, it doesn't sound too bad. If I had had unlimited head choices at my disposal, I would have put a G1/Ambassador weight head on the bottom/front/reso and a G2/Emperor on the top/batter. But All I had was a clear EQ3 batter, front and back. So to hear the drum, even with nothing in it and tuned medium tension, it's thuddy and has little sustain next to my 3-ply Ludwig FT on Pearl air suspension feet. But again, miked up it gives this growly little subwoofer-type note. With mallets, it sounds like a cannon shot.
To get it suspended FT-style, I used a Pearl 7/8" arm to connect the tom mounting plate to a tripod using a regular old multi-clamp. I swiveled the legs to stick directly forward of the reso head, and together we have a pretty even tripod effect. I have noticed no stability issues, even whacking it like it owed me money.
If I need to do a concert bass drum sound at the next show, I will invest in some less muffled heads to get a boomier, more open sound -- I might just do that anyways, to make it sound more floor tom-y and less rock kick-y.
So the moral of the story is, you too can have a gong bass drum or similar effect for very little effort.
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