Goreliscious
Senior Member
Hi I'm after some tips for bass drum recording as I'm having trouble getting a good sound in recordings, even though the drum sounds good to my ears. Please excuse the essay!
I use a 22 x 18 bass drum with an EMAD 2 batter with the smaller of the two foam dampening rings, no dampening in the drum and then a 2 ply reso with a 4 inch hole. I tune both heads just above the Bob Gatzen LPP and I use a felt beater and have no patches on the batter. (Because I'm a bury the beater player and patches and plastic beaters rattle).
Out of all the mic placements I've tried over the years I most like just inside the reso head angled off centre. To my ears the drum sounds cool - beefy and resonant, but with the setup described above I'm not getting the deepness in the recording, just the resonance.
I know the principles of bass drum mic placement, (and have experimented), and I'm happy with getting plenty of the shell and there's enough attack for my liking, but considering I'm using a muffled 2 ply batter head tuned loose with a 2 ply reso tuned loose, I'd expect more deepness!
I've tried it with one of those light weight Evans dampening pillows too and it beefs it up a little, but it kills the body of the drum and I want to preserve as much sounds as possible as you can always take sound out of a mix, you can't add it in! Any ideas? I haven't got any recording to hand to upload unfortunately.
I use a 22 x 18 bass drum with an EMAD 2 batter with the smaller of the two foam dampening rings, no dampening in the drum and then a 2 ply reso with a 4 inch hole. I tune both heads just above the Bob Gatzen LPP and I use a felt beater and have no patches on the batter. (Because I'm a bury the beater player and patches and plastic beaters rattle).
Out of all the mic placements I've tried over the years I most like just inside the reso head angled off centre. To my ears the drum sounds cool - beefy and resonant, but with the setup described above I'm not getting the deepness in the recording, just the resonance.
I know the principles of bass drum mic placement, (and have experimented), and I'm happy with getting plenty of the shell and there's enough attack for my liking, but considering I'm using a muffled 2 ply batter head tuned loose with a 2 ply reso tuned loose, I'd expect more deepness!
I've tried it with one of those light weight Evans dampening pillows too and it beefs it up a little, but it kills the body of the drum and I want to preserve as much sounds as possible as you can always take sound out of a mix, you can't add it in! Any ideas? I haven't got any recording to hand to upload unfortunately.