I learned my technique from a man who has over sixty major label engineering credits. Several of which are on Queens of the Stone Age albums. Hate to name drop, but nobody seems to respect anything else. The fact is, you are not getting the best possible results your way. Ultimately I'd tell you to have a mic on every drum (inside on the kick) one on the ride, one on the hat, two overhead, and three room mics for proximity. The OP has a single CAD for the bass drum. He should mic inside. I don't care what setting you're in, or how "good" you think your results have been. Inside will yield better results. Again, good luck trying to fight with that. I've done this thousands of times and at an extremely high level, and I'm trying to give a guy the best advice that I can. You've learned how to make good recordings with other methods. Good for you. The fact is, the simplest way for the OP to get better results is to port and internally mic. In the time that it took to have all of this discussion, he could have cut the head and gotten his desired results already.