It doesn't have to be a full rack but a handful of decent equalisers and compressors have been used on that recording by all likelihood. Plus top notch microphones and preamps.
Try accepting the fact that regardless of how the source (drumkit) sounds in real - as soon as you put some microphones up and pull up the faders on your mixing board it will sound differently. I haven't recorded drums yet, but electric and acoustic guitars (usually with a 2 microphone setup). IMO it's not a must to get the real sound 100% to your liking, but to get a 'workable' real sound which, applying microphones, preamps, EQ's and compressors, in the end gives a pleasing result. You might be surprized how well you can get away with good medium range instruments recording them with decent equipment, instead of starting with a high-end source. Sure there's more sound pontential to the latter, but it's also no problem to mess the sound up, dialing in the wrong settings on the gear used. Factoring in that many studio devices have transformer inputs and/or outputs which in their turn colour the sound, it just takes a lot more to get a good recording than starting from a good source/instrument.
I've settled with having to experiment with the mic setup and gear settings until the final product is pleasing to my ears, regardless of e.g. the guitar sound coming out of the cabinet. I've come to learn to perceive EQ's and compressors as 'cosmetic' tools which can colour the sound very dramatically. In fact, I can't imagine to work without my Pultec clone (stereo EQ) - it's improving just about everything I'm throwing at it. One piece of gear can make a huge difference.