Don't think I can wait that long I'm afraid. Up to grade 8 isn't what I'd call advanced either, grade 8 is the end of intermediate training. Unfortunately too many 'teachers' with limited ability hide behind the illusion of grade 8 status which they think justifies their role...simply rehashing the same old limiting teaching material producing the next generation of the same. The sad fact being that the student is unaware of what they're getting in to. More often than not these 'teachers' have no real playing or recording experience other than the odd band here or there and certainly have done nothing to try to develop the art form.
I agree to a degree.
first though the grade system does give an external evaluation - at least a benchmark. someone who knows about drumming watches you play and says you are good. Too many people out there think they are a good or advanced drummer because:
- their mummy says so
- their band says so
- their teacher says so
- they say so of themselves.
all of these are biased.
but an examiner is more likely to give you something more standardised. its not perfect i'll grant and we really want a thumbs up from our peers and even our rivals to 'know' we have arrived. but that too is not always practical.
Grade eight is advanced these days but let's not split hairs. one man's advanced is another mans intermediate. even grade six has some very nice drumming in the rockschool syllabus - I was really enjoying teaching one of my pupils just a couple of weeks ago how to solo in the style of john Bonham over a compound time signature (4/4 and then 7/8 alternating bars with hit points).
as a teacher I think of my delivery like a three legged stool. I also manage and assess other drum and guitar teachers as part of my job. and I assess them and myself on these three 'legs':
1) curriculum - delivery of progressive information, fills, grooves, genres, rudiments and essential skills and techniques.
2) creativity - Enabling the pupil to work with the raw material given in curriculum teaching to modify and create new material and so advance the instrument as well as develop their own style and voice.
3) learning strategy - enable the pupil to teach themselves long after you stop teaching them. Give them systems of practice and deconstruction that will allow them to effectively learn and perfect their skill even when you are not there.
if any of these three are not being regularly taught and exercised in lessons then the overall teaching is poor. the stool falls over. watch all my vids and you will see a gradual accumulation not just of curricula but also creative ideas and learning strategies.