Learning to record is like learning to play an instrument. Most of us didn't start out with an 8 piece double bass kit with 25 cymbals and a gong behind them, we mostly start out with a practice pad and a pair of sticks, and then migrate to a small kit (hats, snare, kick, maybe a tom or 2) and then up from there. Recording is the same way. Start small, learn the basics before trying to get fancy, especially if you are learning on your own.
I consider myself to be a pretty good live engineer but I still struggle with recording myself and my band at home. Perhaps it is having to wear both hats (engineer and artist) at the same time...
Actually, I wouldn't choose either set of mics at this point because invariably you will probably want to replace these mics almost immediately. I would focus on quality over quantity of mics at this point, as well as learning how to mix, how to record to a computer, how to record your drums, how to tune your drums for your room and for recording, how to position an overhead or room mic to accurately capture the sound of your drums. Doing all that will help you learn how to
record first, and then you can learn how to close-mic your kick, snare, etc... and get a more "studio" sound. Remember, a lot of classic records were recorded with gear and techniques that in this day an age would be considered stone-aged primitive (like having the drums at one end of a basement, vocalists in the middle, and the rest of the band at the other end and throwing up a
single figure 8 mic and recording direct to 2-track), but the engineers and producers knew
how to record first and foremost, and how to get the best sound out of their musicians and their gear. A great performance is a great performance even if it isn't recorded all that well, but a masterful recording of crap is still crap, even if was recorded with 45 mics in a cathedral.
To start out, you should probably start with a decent condenser like
this one or
this one. Start with it as an overhead, move it 10 feet in front of your kit, play with moving it around the room until you find the "sweet spot" where your kit sounds the best. Then you should invest in a dedicated kick drum mic (shoot for around $200, that's money well spent) and learn to record with the kick added in. At that point, you can add in a snare mic, another overhead, tom mics, etc.. and you will already have a great background.
Good luck!!