ANIMALBEATS
Silver Member
I absolutely love doing this, in fact, i could do it for hours. Just making the drums speak really turns me on, then you get to speed up and complete them as fills or beats. Anyone share this joy...?
1,000% agree. Actually, I think it's the only way to truly nail a groove and get that timing spot on the money. The slower the better. Exploring the sound potential of each element of the kit is a wonderful thing to do on so many levels. Appreciating when each instrument opens up, chokes out, changes tone, etc is a great learning journey. Glad you get off on this sort of work. It'll place you years ahead of other players who go straight for technique & speed.I absolutely love doing this, in fact, i could do it for hours. Just making the drums speak really turns me on, then you get to speed up and complete them as fills or beats. Anyone share this joy...?
I absolutely love doing this, in fact, i could do it for hours. Just making the drums speak really turns me on, then you get to speed up and complete them as fills or beats. Anyone share this joy...?
I have a confidence problem. and I tense up when playing.As an experiment I have spent the last couple of practice sessions playing every thing at really slow speeds where I can nail it without thinking, and not playing any faster. It has been a blessed relief. I have realy relaxed and got into the groove. Been able to play around with posture and different grips and just had fun larking about.
Normallly my practice time is dedicated to working groves and fills up to the speeds i need to play them at and is quite intense, but I do think this new approach of doing it really slow is getting helping me feel what it is like to play calm and natural and will help me to speed up later