I can see why. That was hot. Second one is monstrous.Stu_Strib said:I find that I use that first break probably 3 or 4 times a night per gig!
TopCat said:I can see why. That was hot. Second one is monstrous.
glynes said:My band has been working on 'Message in a Bottle' ... I'm very intimidated by the drumming, but finally taking it beat-by-beat and getting it broken down ... actually quite fun to play. I'll definitely be listening to other Copeland stuff to try.
Unless you're copeland. then yes.helldrummer said:i love the way stewart copland pushes the beat forward.. i.e. plays a little bit ahead of the 2 and 4 on the snare... ..his drumming in every little thing she does is magic is brilliant !!
by the way is it just me or is there quite a lot of room for double bass in some police songs (message in a bottle, can't stand losing, every little thing... etc.) ?
i tried putting some 16ths in one day when i was practicing my singles on the double pedal and i noticed how well it can fit in.. mainly because of the intensity of some of andy summers's playing
......or i am just killing the songs ??
...
TopCat said:Unless you're copeland. then yes.
Now, now, we've established you can use the full-stops for that 'I'm pissed at you' effect, but you asked a question, and i gave my answer. If you don't like being criticised dont ask questions about yourself.helldrummer said:gee thanks that was a well thought out response.
real funny too.
thanks mate.
TopCat said:Now, now, we've established you can use the full-stops for that 'I'm pissed at you' effect, but you asked a question, and i gave my answer. If you don't like being criticised dont ask questions about yourself