![]() |
|
#1
|
|||
|
|||
|
I am getting back into playing after a hiatus of a few years and I am not sure what would make for a good investment for a new kit. I am looking for something mid-range; not necessarily recording quality but something respectable for gigs/mic'd in a bar. The last time I bought a kit (1997ish) the options seemed more cut and dry: crappy or good. There seems to be more in between kits out there now and overall the quality is better than what I remember. I am not particularly loyal to any company; I am looking more at shell quality and hardware. What is the general opinion: Maple or nothing or is a Birch kit worth it? What about the Pearl ELX series: there's a nice kit at a store in my town but is a poplar (or whatever they use) kit worth it in the long run? With the Pearl's, would an extra few hundred bucks be worth it to move up from the Export series? Your 2 cents is appreciated. Filthy |
|
#2
|
|||
|
|||
|
Quote:
So in your situation, I'm not sure that wood shell material should be defining factor. |
|
#3
|
||||
|
||||
|
First,....if you're in the states.....take advantage of a Guitar Center! They usually have kits set up in all shapes, sizes and materials.
Play each....befriend the drum manager or worker and that can go a long way...they can set up a kit next to each other, or some toms of maple, birch etc so you can play them side by side. I like both woods, but they give you a different sound, do a SEARCH on the site and you'll find TONS of info! Maple is warmer, Birch while warm is more focused and brighter than maple. But YOU HAVE to decide what sound sounds best in YOUR ears. There are a ton of middle of the road kits,.....you're right!! Ones I'd consider: Pacific Drums and Percussion (PDP) Birch or Maple Gretsch Catalina series, maple, birch Mapex Birch or maple (M Birch ,...Pro M (maple)) All of these are very nice middle of the road kits...I'm sure there are more too! |
|
#4
|
||||
|
||||
|
Generally speaking Maple will tend to have a warmer tone bringing out the Mids and lows whereas Birch will tend to be a little sharper, maybe more focussed tone bringing out a little more high end. I happen to like the Maple shells myself but think both are worth looking into DW makes shells in both. I have a Pork Pie Maple snare w/o reinforcement rings that is quite nice also. Good Luck!
|
|
#5
|
|||
|
|||
|
Generally speaking, what's the price difference between maple and birch kits?
|
|
#6
|
|||
|
|||
|
Among the asian manufacturers, birch is much cheaper. They have good domestic birch, but must import maple, usually from the US, or use a less well-regarded Asian species. US and European manufacturers usually charge more for maple, because their competitors are forced to, and the appearance of exclusivity causes the marketplace to go along for the ride.
What I'm saying is, birch is a better value. Specifically, an equivalent birch kit would be between one half and two-thirds the cost of a maple kit. |
|
#7
|
||||
|
||||
|
also be aware that not all maple is created equal. I have heard recently that there are varieties of asian maple that don't have the same physical properties (and is cheaper) as the hard maple used my Keller and other high quality shell makers.
I agree with wybasher that other variables like head and stick selection, tuning options, style of playing, etc have more effect on tone than the difference between birch and maple - as compared to say the difference between those two woods and poplar or luaun... |
|
#8
|
||||
|
||||
|
I have owned a pearl Export series. I did not like it at all! The sound was flat with no life. Maple "was" the overall winner. Lately Ludwig is coming back in a big way. PLEASE give a look at there NEW Accent Custom series. They come in MAPLE & also MAHOGANY. For the first time in my life I have a new wood of choice. The Mahogany has a fat low end with a louder rise in sonic presence and decibels.
__________________
" Rhythm In The Hands Of Few" Billy Twinem |
|
#9
|
||||
|
||||
|
Birch is a great value. Unless you're a very experienced drummer, you're really not going to be able to tell the difference. Save your money, go with birch and spend time tuning your kit correctly. That will make a much better sound than an expensive and poorly tuned maple kit.
|
|
#10
|
||||
|
||||
|
i have both and love both. I think it matters less what wood you get and matters more of what quality of wood (and thus drums) you get. My maple is a DW (@ $3000 kit) -- a $1100 all maple Sonor Force 3005 wont sound anywhere near as good. My birch is a Starclassic (@ $1500) an all birch Gretsch Catalina Birch (@ $650) wont sound anywhere near as good. With drums, quality of the wood, hardware, bearing edges, etc are what matters most. You wont ever notice the differences between the woods until you become an experienced drummer and start to run into the differences (i.e. birch projects better than maple on small-room, unmiked shows -- or issues you may have during a recording session).
So my advise to you is to research the specific group of drums (by price) and find out where the wood comes from, what hardware advantages one has over another, reputation, etc. I would stay far away from the cheaper Pearl kits (export, etc). The wood is crap and no amount of tuning or head selection will ever change that. |
|
#11
|
||||
|
||||
|
Quote:
|
|
#12
|
|||
|
|||
|
i personally like birth since i like to play rock and birth gives me that focused punchy sound but still dark depending of course the heads u have, i have a tama superstar efx hyper-drive, which is a great birch kit i don't think its much more expensive than a pearl, but if u like maple there are the yamies tour custom or sonor force 3007 i think or something like that, do some research, test, if u go with the tama there great, i don't think u should go with poplar or mahogany, birch and maple are a lot better and u can hear the difference, also maple is used a lot for recording, but for gigs birch especially the tama are pretty loud and mic'd up wow! amazing
|
|
#13
|
||||
|
||||
|
Definitely some stuff I agree with here, but some of it I question.
When it comes to comparing maple and birch, neither are a "better" wood. It's a matter of which you prefer more. Head selection and tuning along with bearing edges will make a more noticeable impact on the sound heard by most ears. Keeping those and other factors the same, maple is a touch warmer and sustains longer, while birch is a touch brighter and has more attack. Only well-trained ears can truly notice a difference in pitch and tone, while most ears would notice a small difference with respect to the sustain/attack, but only slightly. In terms of which wood is better for recording, the quality of today's drums in combination with advancements in recording technology means that both maple and birch drums will record well. In a good room with good equipment, a good engineer, good tuning, and of course, a good drummer, both will sound amazing and you can't really say that one is better than the other. Traditionally speaking though, it was birch that was the preferred drum wood for recording, not maple. This is because birch is considered to be the "naturally EQ'd" drum, going back to the sustain/attack thing mentioned above. Yamaha has a line of drums, made of 100% birch, that's been in production for over 30 years now - it's called the Recording Custom. The maple and birch woods used in pro kits is certainly of higher grade and better quality than the maple and birch woods used in mid-level kits, and that difference is definitely discernable in the sound they produce. That being said however, mid-level kits nowadays really are excellent and offer tremendous value because they are priced low and sound great. There has been a huge upgrade in the quality of mid-level kits, especially in recent years. Yamaha, Sonor, Mapex, Gretsch, etc. all offer mid-range kits in both 100% maple and 100% birch and are worth checking out. Some of them even come with hardware packages included. Try before you buy is the best advice you can get. I also recommend buying used because you can save a lot of money, and might even be able to get a pro used kit for about the same as a new mid-level kit. Quote:
__________________
Yamaha Birch Custom Absolute (recording); Tama Artstar II Birdseye Maple (live) |
|
#14
|
|||
|
|||
|
I would stay away from the Export and ELX series. Like was mentioned earlier you can get into a nice mid level kit like the Gretsch Catalina, Yamaha Stage Custom, Mapex that will sound much better and the price may be just slightly more than the pearls. My personal kit is an early 80's yamaha kit that I love , our church has a poplar export kit and I can't stand it, it doesn't tune well and doesn't sound good. I want to buy a stage custom or catalina kit to replace it for them but with my job right now there are no extra funds to do so.
__________________
"I will soar high on wings like eagles, I will run and not grow weary" |
|
#15
|
||||
|
||||
|
I just traded my starclassics (100%birch) for my second dw kit(maple) and to tell you the truth I kinda like my starclassics better. Birch just has a wet fat sound that you cant get with maple.
__________________
DW/Broken Glass...16x26, 16x16, 10x13 |
|
#16
|
||||
|
||||
|
its all about who's listening, to the drummer who has copious experience, and knows his stuff about drum tuning and how they're made and sound, birch is gonna give a sharper and more "punchy" attack, itll bring out the highs, maple drums will have warmth, and more sustain, and will also bring out the lows of your drums, again, to the seasoned pro...
however, to the vast vast vast majority of people hearing you play (especially if live and not in the studio), the differences will be completely null and void this is in terms of sound, in terms of feel, thats a personal thing You want to alter your sound? Check the tuning and the head thickness, as the bearing edge type, on a side note: a factor I dont see considered very much is the surroundings of the individual drum, for example, I own a yamaha rydeen set (maple, and no longer in production unfortunately) and recently took out the original two high toms and right now the only thing attached to my bass drum is a mini cymbal arm for my splash cymbal (I stuck in one of the tom holes), and the difference of how my toms and bass sound is huge, my bass and toms now sound open and alive, warmer and of higher quality |
|
#17
|
||||
|
||||
|
Birch or maple....that's like asking which do you like Prime Rib or Ribeye....I think everyone should own a good maple kit first, but it really is a tough choice. Birch does sound great. It is the better value too.
|
|
#18
|
||||
|
||||
|
I have different drums but i can say that i am more birch guy.
Birch gives , how to say, more produced sound, toms have nice attack and highs. Premier Genista is best drum that i played together with my vintage 3 ply birch premier. |
|
#19
|
|||
|
|||
|
Quote:
I own a Rydeen too, it was a very good starting kit. But it isn't maple, it is mahogany, and that's why they stopped making it (cutting down mahogany trees was made against the law). |
|
#20
|
||||
|
||||
|
You're absolutely correct in that "mid-range" drums have gotten a heck of a lot better in the last decade.
Aside for the maple *or* birch question, you can mix 'em up, too. Ludwig has birch-maple-birch shells in the Epic line. Nice mid-price range kits. Mahogany is popping up in a lot of import kits as well. Not the scary Asian drums they used to be. Gretsch is mopping up with the Catalina line's mahogany drums. Another, "groovy" option is Ludwig's Retro Element SE series. Funky finishes from the late 60's and early 70's over shells made from cherry/gumwood. I'm loving my new Element SE kit. -Ryan
__________________
1997 Ludwig Classic Maple 2009 Ludwig Element SE Retro (cherry/gumwood) Istanbul Mehmet Cymbals |
|
#21
|
||||
|
||||
|
Or you can do like me and choose beech.
The best offer in the mid line, quality-wise, is a sonor force 3000. A cheaper alternative is gretsch catalina or PDP. If you can get a 2nd hand pro set, you're better off than buying a new mid-range set. In the top line, Yamaha offers the possibility to mix woods. A common practice is a maple kick for low end and birch toms for punch. A snare can go both ways. There's also pearl reference and tama starclassic that use hybrid shells. Another aspect to consider are the dimensions. These affect the drums more than wood type: thickness, diameter, depth. Ideally, I'd pick thin rack toms, medium floor toms and thick bass drum, all in deep size and a reasonably small diameter. A smaller diameter focuses the tone, a deeper shell adds body. Most companies don't offer that level of customisation but it matters more than wood type. The only drums I know of that proportionally increase in thickness are gretsch new classic. Last edited by MadJazz; 11-08-2009 at 12:07 PM. |
|
#22
|
||||
|
||||
|
Quote:
If anything, its a completely overhyped aspect of drum purchasing these days. |
|
#23
|
|||
|
|||
|
Let me lay it out.
I can't say which company but i was working in a drum shop and there was a high end snare for repair on the desk. I was new so i was on sanding and and assembly at the time. It would seem the person dropped the snare and really messed up the bearing edge and it wasn't pretty. I also noticed something weird about the middle plies of the drum. you wanna know what they were? CARDBOARD! i swear on my mothers life. 8 plies....4 of them CARDBOARD! one more time CARDBOARD! this when it was bought in the early 90's was about $700 from what i understand. It was made by a very reputable company and it was all finished on shore. Here's the crazy thing. We re-cut the edges...sealed them properly and put the heads back on. Tuned the sucker up and it sounded amazing! Just killer! It almost doesn't matter what the wood type is (within reason of course).....If you treat the drum properly and finish it inside the way a real drum is supposed to be finished....with actual bearing edges that are hand sealed and sanded to perfection it'll sound good. I know this as when i started working there we did that with a Sonor 3007 kit that i owened at the time and i would happily put it up against the older s classix (When they were maple) in studio, live, anywhere you can think of. God Bless, dxtr |
|
#24
|
||||
|
||||
|
Just a clarification, S-Classix kits were NEVER maple.
S-Class and S-Class Pros were, however. |
|
#25
|
|||
|
|||
|
Me writing the wrong name has nothing to do with the fact that it sounded great.
|
|
#26
|
||||
|
||||
|
Perhaps, but I felt people needed to be clear about which model you were referring to, so I dont get customers coming to me saying they heard that "Maple S-Classix kits are available - because someone on drummerworld.com said they have one..."
|
![]() |
| Thread Tools | |
|
|