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#1
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I'll be back here to let you know the results, & why we made the choices we did. I hope you find this process as interesting as I do. |
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#2
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Look forward to the results and the reasons why you choosed such or such heads for the drums.
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#3
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Very cool and am interested in the findings as well.
__________________
"I found that to really make money, you had to give up music. So I gave up money" - Mel Lewis |
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#4
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I mean that as a genuine question too....not trying to be a belligerent smartarse (we all know I'm capable of it, but it's the sort of thing I'll leave for Sticks' next appearance). I just wonder if it's a lot of extra work that will perhaps be negated by the personal choice or individual ear of the person who ultimately ends up with the kit anyway.
__________________
What's the BEST drum key for metal tuning??? |
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#5
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The whole concept of this new series is to offer two distinct ranges, plus a full custom option for those who wish to augment according to their own vibe. In each of the two ranges, unlike a full custom offering, we've specified every element of the build to achieve what we believe represents a distinctive & high performing instrument. That means, in each range, one wood choice, one shell construction choice, one hoop choice. Exactly the same as buying a specific range from a major manufacturer, but at a much higher level. You either like the range, or you don't. If you don't, but still like the concept, you can go custom. In with that principal of offering a wholly designed instrument, we include the heads. Of course, if you want different heads, we'll fit them from new, no problem (now that's something the major makers won't do). We're effectively saying, "this is how we think the kit sounds best". Most major makers pretty much expect the customer to change their budget head offerings as soon as possible. Not all, but most, irrespective of their marketing. We, on the other hand, expect to deliver that instrument ready to go, & sounding it's best. One of the downsides to full custom is the customer's ability to specify features that truly deliver the sound they're after. We can advise of course, but ultimately, it's the customer's decision. With our Origin Performance & Classic ranges, we've done all that testing & adjusting for them. They have a defined voice, & our selection of heads is a fundamental part of that. |
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#6
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I'm curious about the selection process. Do you test a kit with a variety of head types? Is it kind of like the company's rating system? What I mean by that is, that a particular Origin drumkit is "rated" for single-ply heads? I hope I make sense.
And in turn, does this mean that putting two-plies on them would produce unsatisfactory results, or maybe be something that you wouldn't recommend? Or is there a suggest range of thickness that will be recommended? I find this all fascinating, by the way. Especially being able to talk to a maker about it. |
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#7
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I have veered over to the Aquarian camp of late, having not had much joy with Evans, so I will be very interested to hear your view, my main issue was never being able to tune Evans heads, which I acknowledge may be 'user error'. Looking forward to the results.
[Slightly off topic, how are your preparations for the London show coming along?] |
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#8
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Not this time round. Remo make some great heads, no doubt about that, but in previous testing, we found considerable inconsistencies compared to Evans. As we've already tested Remo heads quite extensively, there's no need to repeat that exercise right now. In the future, maybe.
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Manic, absolute madness. So much to do, so little time. I'm probably putting in over 70 hours/week right now, & I know Dean's doing the same. We go to press review in just over two weeks time, & we haven't even built the review kits yet! |
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#9
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#10
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Makes perfect sense and I guess that was the detail that I was missing. Too easy to fall back on years of drum buying history (including swapping out heads) and overlook the fact that this concept is far more than just a custom kit build. It really is a game changer in every sense. Certainly stands to reason that given hardware and hoops are specifically married to each shell, then an element as fundamental as head selection would be a "recommended paramater" too. It really is a complete sonic experience that goes above and beyond anything that's currently being done. Interesting stuff indeed.
__________________
What's the BEST drum key for metal tuning??? |
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#11
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Where's the fun in that? You mean I don't get to go spend 100 bucks on heads to get the right sound?
__________________
Support local drum stores! |
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#12
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Most of my kits came with first quality heads from the factory. The only heads that I had to change from the get go were the Ludwig heads on my Classic Maple kit and that's because some of the "Medium" heads sounded like trash and did not match the sonic characteristics of one another. Some of my kits came with Remo and others came with Evans. I believe it really should be up to the owner of the drums to make an up close and personal decision on what sounds best to his or her ears encompassing the type of playing they do. I'll usually play through a set of heads on new drums unless I have an incident like I had with the Ludwig heads.
Dennis |
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#13
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Yes, lol, how dare we try to save our customers money & remove the joy of putting good quality heads on their drums :) Of course, the customer can still change out their heads if they don't like them, pretty much the same as from any other company. It's just that we've put the effort in to get it just right from the start, & if the customer wants different heads supplied with their drums, then no problem. Sure saves them the hassle & expense of buying a new set of heads. The cost of re heading a kit isn't usually factored into the buying decision by the customer, but on kits that come with less than great heads, it actually adds quite a lump onto the price. |
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#14
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Thanks for that. This all sounds very interesting and makes sense to me. Looking forward to hear what you come up with.
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#15
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There won't be a video of the testing. Just too busy to fit that in. I will describe our findings, & post our results. Additionally, there will eventually be video & quality audio of the new series c/w our chosen head setup. |
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#16
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It would be interesting if you guys tried actual old skool calf skin ;) Maybe a head with actual fur on it for the bass reso.
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#17
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You know Bo, you're closer than you may think with that remark ;)
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#18
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UPDATE:
All the Aquarian heads arrived yesterday (all 46 of them actually :) ) My initial impression from tap testing and general inspection is that they're looking very good. For the detail loving amongst you, these are the heads we'll be testing; Bass drum heads; Superkick II Force II Regulator Modern Vintage c/w felt strip Texture coated Snare heads; Texture coated Texture coated reverse power dot Modern Vintage medium Classic clear snareside Tom heads; Classic clear Classic white Classic black Super - 2 Modern Vintage medium Texture coated Testing starts in circa 2 weeks, & will take 3 full days. Last edited by keep it simple; 07-28-2012 at 05:24 PM. |
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#19
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oh noes....if you find the secret formula, can you release it to the masses? This head baffles me.
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#20
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What, no sk1, studio x or texture coated studio x,lo, BTW I didnt see any snare side reso heads there either.
Edit: oops, my bad, I see the classic clear snare side now, dunno how I missed that. Last edited by tard; 07-28-2012 at 07:44 PM. |
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#21
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SK1's are yet to arrive. As Aquarian's distributor is closed for the next two weeks, they'll miss our deadline, but we will get to those heads. As for the others, with the exception of pre muffled bass drum heads, we have no interest in muffled heads generally. Our bearing edges are designed to take out just the right amount of excess high overtones, & this test is all about getting the drums to sound their best, in our opinion. Sure, if you want to really dry out the drum, feel free to do so, as you're offered a full choice on drum purchase.
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#22
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I just had a heck of a time trying to get a handle on it. Ended up putting it in my backup stack. Bummer too, as I thought it might be something that I'm looking for. Too ringy off the dot.
/derail |
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#23
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#24
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Ok, get what you're saying. Just for my own curiosity, what snare drum are you applying them to? In my experience, the performance of reverse dot really depends on the bearing edge profile & hoop combo. I'd expect the result you're getting on a drum with sharp batter bearing edge profile & triple flange hoops, especially steel, brass, or thicker maple shells. |
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#25
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#26
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#27
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Depends on tuning too :) |
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#28
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Any chance to know the results ??
__________________
DW Collector's, Yamaha MC, Zildjian |
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