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Old 03-29-2010, 07:43 AM
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Deltadrummer Deltadrummer is offline
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Join Date: Aug 2007
Location: Long Island NY
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Default Re: Pat Metheny on Kenny G and other Jazz greats

You get no argument from me. The one thing I would say is that I think the smooth jazz format became to constricted for jazz musicians to really see it as an opportunity to do anything except make money, which isn't of itself a bad thing. Why not write pop tunes or work on Wall Street is you want to make money.

But if you want to do large grandeur projects where you take 8-10-16 musicians out on the road, like Metheny has done, funding becomes a big issue. Christoph Eschenbach's or Michael Tilson Thomas conduct orchestras with 60+ people in them . .. puts a lot of people to work. The performance of certain types of music or to have certain types of aspirations in music necessitates a lot of cash flow. Those types of projects are not going to generate the per capita income of a successful punk rock trio like Green Day. There is a cultural advantage of major orchestras and prominent jazz ensembles. You have to argue that other wise why bother. Everyone could spend their lives listening to The Ramones. But much great music was not profitable in the life of its composer. So even though I argue that, I also know it to be true. And I know that stands in the way of your Libertarian ideology. So be it.
Ken Marino Drum Teacher "It's not worth keeping score. You win some. You lose some, you let it go"
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